nightfly
Well-known
silent1
Well-known
Really like colors of these and the photos on your website.
They have a nice slightly desaturated film-ish look like Portra.
Would you mind sharing some of your post processing technique?
Thanks! I was indeed aiming at emulating Portra colours.
I'm using a custom Lightroom preset that I tweaked several times during the years to kinda resemble Portra and give that nice film-ish look.
I'm not excited about digital greens so what I do is to slightly desaturate them and turn the hue to a yellowish tint. There is also some other stuff going on. I could send it to you if you like, but as always, it doesn't work out-of-the-box, but ofter requires some adjustments here and there.
nightfly
Well-known
j.scooter
Veteran
Nice timing nightfly. I like the colours too.
j.scooter
Veteran
grouchos_tash
Well-known
rhl-oregon
Cameras Guitars Wonders
I’ve put this image up on the thread elsewhere, no doubt years ago. It is a vignetted crop of the original—which I have since developed more neutrally and uncropped. I repost it here because it has had about 3300 views in the RFF gallery, i.e., at least 3000 more views than any other image I’ve posted with any other camera.
And this mystified me for a long while, until I realized that people want—maybe more than anything else, maybe without conscious comprehension—to be gazed at, steadily, unblinkingly, especially by other species. To have that interspecies visual communing. I wrote an extended visual/text essay on this in 2016, The Gaze and the Soul. (I’m currently exhibiting a version of it in several regional venues over a 4 month period, that’s why it is on my mind.) The point today, though, is this was made possible by the GR. I can’t imagine having done it with any other camera. It is a consolation in a sense to know that I could let go of all the other image machines and get the most out of this one alone; get images, that is, that go beyond conscious intent, ego-gratification, all that.

And this mystified me for a long while, until I realized that people want—maybe more than anything else, maybe without conscious comprehension—to be gazed at, steadily, unblinkingly, especially by other species. To have that interspecies visual communing. I wrote an extended visual/text essay on this in 2016, The Gaze and the Soul. (I’m currently exhibiting a version of it in several regional venues over a 4 month period, that’s why it is on my mind.) The point today, though, is this was made possible by the GR. I can’t imagine having done it with any other camera. It is a consolation in a sense to know that I could let go of all the other image machines and get the most out of this one alone; get images, that is, that go beyond conscious intent, ego-gratification, all that.
Andrea Taurisano
il cimento
Andrea Taurisano
il cimento
sepiareverb
genius and moron
SJACPHOTO
Newbie
nightfly
Well-known
Tim Zhou
Established

_R010843-Edit by T Zhou, on Flickr

_R010876-Edit by T Zhou, on Flickr

_R010933-Edit by T Zhou, on Flickr
Nice, Tim... each so different but compelling in its own way!
Landberg
Well-known
Landberg, I like your collection here of unusual and watchable photos!
grouchos_tash
Well-known
Landberg
Well-known
Landberg, I like your collection here of unusual and watchable photos!
Thank you!
nightfly
Well-known
Scapevision
Well-known

Untitled by Scapevision, on Flickr

Approaching Silence by Scapevision, on Flickr

Dreams Don't Follow by Scapevision, on Flickr

Boxd by Scapevision, on Flickr
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