Vince Lupo
Whatever
If I'm shooting a commercial job - particularly with lighting involved - I always meter.
If I'm shooting film for myself with vintage equipment, I never meter.
If I'm shooting film for myself with vintage equipment, I never meter.
Drewus
Established
I never used a light meter with my IIIc and just guessed the settings based on experience. I'd usually end up with a few shots on a roll under or over exposed, but the rest of them turned out fine.
With my M6 I pretty much do the same thing, but I'll use the light meter for the more drastic changes in light.
With my M6 I pretty much do the same thing, but I'll use the light meter for the more drastic changes in light.
john_van_v
Well-known
I'm not convinced by film 'latitude' as on most exposures, you're already using the complete tonal range of the film.
Ernst
The latitude determines how the picture turns out, where the emphasis is.
Hey Paulfish! Where are those pictures? (Walgreens C-41 machine just tanked, but fortunately on the roll after mine, talk about anticipation, I have an important roll to develop)
johnnygulliver
Established
it's fun and instructional to guess exposure, and using the f16 rule or film-pack info, shear experience, gamble, will most often produce reasonably well exposed images. But for any consistency, if you really don't want to take a chance on that must have shot in difficult lighting conditions, you simply can't do without metering to back up your guestimate... or WAG - if you really don't care, then the bests are off - just have fun and rejoice and pat yourself on the back if and when when 'it comes out'...
Last edited:
Juan Valdenebro
Truth is beauty
On direct sun I know 100% what settings to use with any film. On bright/normal overcast, or in the shadows on a sunny day, my guessing is perfect too, or very close to that... But below that, from heavy overcast to narrow streets, to lower light, to interiors or night shots, no doubt a meter helps... And if we add pushed film to the situation, guessing is a riskier business...
Cheers,
Juan
Cheers,
Juan
Clancycoop
Established
Using a light meter
Using a light meter
I generally set the camera according to intuition and then correct as necessary once the camera is up to my eye (M6).
Using a light meter
I generally set the camera according to intuition and then correct as necessary once the camera is up to my eye (M6).
NaChase
Well-known
Sunny 16 has worked for me so far. Then again, Legacy Pro 400 seems to be pretty forgiving. I have some Velvia 50 in my M3 right now. I suppose I may be forced to eat my words here as soon as I get it developed...
Richard G
Veteran
Juan's post sounds a bit boastful but I agree with him about 'any film' inasmuch as we so often hear that you have to meter accurately for transparencies, whereas in good light outdoors sunny 16 or the earlier packet inserts did as well or better than a meter very often. I had a month in Italy, in summer, without a meter many years ago and because I still wasn't that good with my CdS meter at home and needed to learn on the fly with the packet insert exposure instructions, and had not then heard of sunny 16, I shot lots of rolls of K64 and even 25 with better results than I might have had with my reflected readings, not then having learnt the benefits of incident either.
paulfish4570
Veteran
Sometimes, especially early and late in the day ...
israel_alanis
The Laugher
Sunny 16 works to me too, but in rare light is very nice use a light meter.... I said both 
Regards.
Regards.
glooscap
Newbie
I use Sunny 16 except for tricky lighting.
Brian Levy
Established
I have several and usually carry either my Metrastar or Weston Ranger 9. Depending on what and how I am shooting as well as what with I either start with a meter reading and then my eyes for final or, my eyes and confirm with a meter to make sure I am not too far off. For many years I was well within 1/4 fo an f/stop when estimating and then checking the meter but as my photographing has declined and I've gone for some period doing none, I am finding I need to reacquire the skill but I can still come within 1-2 f/stops and usually within 1 1/2 but, with some more practice I am confident of getting back to my old self.
ray*j*gun
Veteran
Its all been said but my 2 cents is sunny 16 unless you need more of a spot meter reading.
ray*j*gun
Veteran
Oh and of course if shooting slide film use a good meter (not the built in's) I like my Sekonic Twin Mate 208.
oftheherd
Veteran
Juan's
...
earlier packet inserts did as well or better than a meter very often.
...
I and others have said this before. I used the inserts for years before getting an exposure meter, and it always worked well. In lighting situations not covered, I just used an experienced guess.
I don't think most films come with an instert, or even printed instructions on the inside of the box, but some still have the latter. If not, google is your friend, as a search here http://www.kodak.com/global/en/professional/support/techPubs/e190/e190.pdf will show.
But of course, I now usually use a light meter in camera or hand held.
Sid836
Well-known
I' don't really bother using one. With a couple of my cameras having a dead meter, I got accustomed to use the rule of 16. I even find sometimes arguing with my DSLR's lightmeter over the correct exposure and many times I am spot on. 
mfogiel
Veteran
I think it is not necessary to use a light meter, and even to focus or to look what you are taking the photos of. This way the surprise will be a permanet fixture of your art.
68degrees
Well-known
This is a test. It says this thread was updated 4 minuts ago but I see no post.
That's what happens when someone votes in the poll.This is a test. It says this thread was updated 4 minuts ago but I see no post.
68degrees
Well-known
That's what happens when someone votes in the poll.![]()
Oh ok. I thought I was losing my mind. ..... again. :bang:
Share:
-
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.