Luke_Miller
Established
Time to start transition to C1 for me. Am keeping my LR catalog in Classic, it should still have many years ahead.
C1 has a subscription option. No guarantee a perpetual licence version will always be available.
Time to start transition to C1 for me. Am keeping my LR catalog in Classic, it should still have many years ahead.
There's Adobe Lightroom Classic CC, which is essentially non cloud based version with full features from 6, with a bunch added.
Which is why Adobe cannot be bothered to make the subscription system available to those who want to pay for it, but by using bank payments or PayPal...
Many people outside the US don't use credit cards but bank debit cards. The customer support guy I spoke to wasn't remotely interested in supporting customers that could not meet Adobe's US-orientated payment standards.
Only credit card (which is what the CC in Adobe's naming convention stands for as far as I'm concerned, Adobe Lightroom Credit Card)
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I'm not sure why you say "obviously, many customers prefer the subscription-license model", they don't really have a choice with most of their products. Lightroom was the last holdout.
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I was unaware of Adobe's US-centric payment policies. Shame on them for not being more flexible.
I pay all my bills automatically using a credit card. Card activity is automatically monitored in real time by via text message from the bank. It is also monitored manually by me using the Mint app. I monitor individual invoicing as well via email or postal mail.
All of this takes less time and effort than a decade ago when I mailed checks on a monthly basis.
Credit card fraud and over-charges are rare but either the bank or I caught them. I have always been promptly protected for any losses. I realize laws in other countries might increase customer risk. In the US, debit cards are riskier than credit cards in terms of fraud protection.
In truth, the way the laws of ownership work, the fact that you pay for CC in monthly installments changes very little. You always only rented the software anyway, it was simply a matter of whether it had a fixed total lump sum price for the privilege of using it or whether that price was extracted from you in small monthly injections continuously. Happily, they're giving additional services back for that monthly injection, so it's not entirely a bad thing. If I need/want it.
G
I organize my work in a similar manner. I output the images I deem worthy of printing as tifs in designated folders by portfolio so if LR or PS were discontinued or I decided to shift to other software, I wouldn't have a problem. I was initially upset with Adobe's subscription model, but quickly got over it and see its benefits. The monthly subscription fee is the equivalent of a couple of cups of coffee, so not worth worrying about. If you don't like Adobe's business practices, don't use their products. It's that simple. Lots of alternatives out there. Whining about it won't make you a better photographer.All of my 'finished' renderings are output as TIFFs anyway, with all changes and edits baked in. The other stuff ... is just raw material. If I have to move, I move.
Adobe's finances have prospered since the subscription model appeared. It was $34 in October 2012 and closed at $171 today.
Obviously, many customers prefer the subscription-license model.
Adobe has not been hurt. and will not be hurt, by the minority of customers who refuse to use the subscription-license model.
There is zero incentive for Adobe to change.
People and businesses vote with their pocketbooks. If the subscription model did not add value, Adobe's earnings would have declined and so would their stock price.
Of course, we have a choice. We can stop using Adobe products. Many excellent alternatives exist and many photographers use them. People switch computer operating systems. They switch smartphone platforms. These can be more disruptive than switching post-production workflow.
Decades ago I spent more on hobby-related magazine subscriptions than I do on Adobe CC for photographers. I honestly prefer the subscription model because I always upgraded LR versions anyway.
But isn't it true that with the subscriptions system, paying the lump sum of $120 still only gets you one year of use? I went from LR4 to 6 only recently. I used it for slightly over 3 years, that's $360 in the current price scheme.
In listening to conversations with Adobe people voicing their opinion of their customers: They want control of all media rights (photos, videos) to anything that enters their web system. They aren't there yet. They want to own/control any techniques that customers have (invented) for using their products, and monetize these in the future.
pkr
Did they cackle and mention stealing your first born?
The sky is falling, the sky is falling.
Seriously, given the alternatives available, I am sure everyone can find a solution that best fits his needs.
Thumbs up. 🙂
G
You are discounting that for much of Adobe's market, professional graphic designers, there really isn't a substitute and that there is a network effect, if your clients and vendors use Adobe, you sorta have to also.
Professional Users aren't jumping to Paintshop Pro or Corel Draw (although Sketch has kicked Adobe's ass, I don't know anyone using XD).
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