raytoei@gmail.com
Veteran
Hi,
I came to experiment with Ilford's PQ Universal developer for film after reading a thread on RFF about getting the Daido Moriyama's grainy and high contrast look.
After quite a few rolls later, I am happy to report that i have a few keepers using PQ Developer on film.
The look i like best is over-exposure + over-development + pulling back the contrast/brightness curves, it creates a texture that I cannot get enough of.
Some personal observation:
+ Sharp looking images
+ Unique texture / grain
- Contrast can get out of hand
- Not good if you do not like grain
I will just show some of the photos with the accompanied combination.
All except the second picture were taken in the past month (busy month)
Plus-X at iso 250, CZJ 50/1.5. Shoot wide open.
Mall of the Emirates.
TMax 400 in 120 format, iso 1600, RF645
Dhaka, Bangladesh.
TMax 400 in 120 format, iso 400, RF645
Neopan 400 at iso 250
Neopan 400 at iso 250
Neopan 400 iso 250
neopan 400 iso 250 (overexposed!)
cheers!
raytoei
I came to experiment with Ilford's PQ Universal developer for film after reading a thread on RFF about getting the Daido Moriyama's grainy and high contrast look.
After quite a few rolls later, I am happy to report that i have a few keepers using PQ Developer on film.
The look i like best is over-exposure + over-development + pulling back the contrast/brightness curves, it creates a texture that I cannot get enough of.
Some personal observation:
+ Sharp looking images
+ Unique texture / grain
- Contrast can get out of hand
- Not good if you do not like grain
I will just show some of the photos with the accompanied combination.
All except the second picture were taken in the past month (busy month)
Plus-X at iso 250, CZJ 50/1.5. Shoot wide open.
Mall of the Emirates.
TMax 400 in 120 format, iso 1600, RF645
Dhaka, Bangladesh.
TMax 400 in 120 format, iso 400, RF645
Neopan 400 at iso 250
Neopan 400 at iso 250
Neopan 400 iso 250
neopan 400 iso 250 (overexposed!)
cheers!
raytoei