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payasamI'll agree with ManGo about the M2's being better. .[/QUOTE said:Interested in your experiences M2 vs. M3.
Better build quality => M3
Better, brighter finder => M3
Better for <= 35 lens => M2
Thanks for sharing.
Every time I am shooting 50, 90 I grab the M3 over M6, MP (.72).
Andreas
payasam said:Andreas, although the M2 was introduced as a marginally less expensive sibling to the M3, I don't think you can say that they differed in build quality. It is true that the finder of the M3 is unique in the entire M series: but it is more complex and is prone to blacking out (though only after many years). I do not see the M2's manually set frame counter as any kind of handicap. Where that model wins is in having built-in 35mm frame lines. This, I believe, was a demand of press photographers which Leitz met. The "bespectacled" Summarons made for the M3 worked, but they added complexity and risk of damage. There are those who speak of the advantage of being able to keep both eyes open when using an M3, since its finder magnification is close to life size; but for me this was neither here nor there. With its uncluttered finder, the M2 is more of a pure picture taking tool. The missing 135mm frame lines are no major disadvantage, since relatively few RF users like that focal length anyway. Besides, some lenses of that focal length were also made with magnifying "goggles". So, while the M3 was the acme of the camera maker's craft, which many hold to be still unsurpassed, the M2 was more the lean and mean kind of beast.
payasam said:In an earlier post you said you reached for the M3 when using a 50 or a 90, but now you say the M2 is better for 50. I must disagree.
😀payasam said:Surely there's something we can disagree over? How about plastic-tipped versus plain metal advance levers?
payasam said:Dammit. There goes the chance of a good squabble.
payasam said:Not so quick, Mark. You mean black paint or black chrome, huh?