Thanks guys, I'll try to get some more up! 😀
I just shoot it at 200, metering off something medium to dark gray, using the in-camera meter. No tripod on any of these, on the night shots I used the self timer and put it down on something reasonably flat and elevated. I did carry a lightweight tripod (Velbon carmagne 540 with an Acratech ballhead) which I used exactly twice. For more than 4sec I set it down, hold it down with my left hand, and lightly push the shutter with my right. I like watches with a large clearly visible second hand. 🙂 The night shot from Varanasi is actually a vertical crop, while the original is good in a 16x20ish print, the main action in this shot is a little too small to view online, so tends to disappear. E200 really handles mixed lighting excellently, is pushable to 800 according to Kodak (although I never really tried this), has good latitude, and good (shadow) speed. Between the film and a scan it's pretty easy to color correct. (It would be easy in a wet print, too, I think, and the film should be a nice match for ciba/ilfochrome even without masking.) This is why for travel I like to load up my bag with it in 220, it really handles almost anything. A tad grainy, but nothing that shows at 16x20ish (from 6x7, clearly 35mm is more limited). The grain shows up mainly as yellow speckles in the blue channel when scanned; but most printers and papers have limited yellow gamuts, so it shows more when scanned and viewed on screen than in print. As you may surmise from this tirade I really like this film. 🙂 A super color portrait film, too!
