jaapv
RFF Sponsoring Member.
Yes, the banding is well spotted, this camera was before the update. Leica uses the same ISO calculation as Canon. 1250=1600.
jaapv said:No I don't, and at this level the differences obviously are small, maybe too small for a monitor. But looking at those images I do feel that a photographer like you could, obviously a good one, have gotten a slightly more -artistic- for want of a better word, result. Probably more the lens than the sensor.
sitemistic said:Leica, whether for technical or economic reasons, didn't create in the M8 the quality of camera, given the technology, as the M3. They knew higher resolution, full frame sensors existed. Canon put one in the 5D for under $5,000. They apparently understood the compromises necessary to put a digital camera in an M size and shape body. So they compromised. Because they knew the camera had to look and feel like an M or they couldn't sell it. Which would be o.k. for Canon or Nikon.
The M8 isn't a compromise. Or it is as much a compromise as all digital cameras are. It ist far too expensive, I agree! but that is Leica's pricing policy. It is different to that of C-N etc., because they won't change their models every one or two years. And don't forget: there is no competitor. Noone who builts digital rangefinder cameras. The only one was Epson, and they gave it up. What a pity! This is a really fine camera, and produces very "analogue-like" pictures, esp. in bw. But - probably the development costs were too high measured to the amount of bodies to produce ...But Leica has always been about uncompromised quality. That's why folks pay a premium for them. So why did Leica photographers jump on a compromised camera from Leica? Because they desperately wanted a digital camera. And one that would use their Leica lenses. And then a lot (no, not every M8 owner feels this way) of them seem to get on internet forums and make the argument that the camera blows away all the other digitals on the market. That there is some pixie dust inside that makes magic. Instead of being critical of Leitz for creating a compromised camera, they defend them by declaring that camera superior.
fdigital said:Both are RAW processed in ACR with NO adjustments to ANYTHING. NO noise reduction, NO sharpening.
Prosaic said:As far as I understand, every RAW to RGB Bitmap conversion is a form of interpretation. Thats why you get different JPGs from different RAW converters. A "neutral" RAW conversion is not possible by definition. There are no conversion standards (demosaicing algorithms, clipping color gamut, handling bit-depth etc.) and to make things worse every manufacturers RAW format needs different treatment.
What we see in your example is how you, the EOS 5D and ACR handle certain types of images under certain conditions. It doesnt say anything about other people, other cameras, other conditions and other RAW converters.
jaapv said:I cannot be surprised - the 1D is legendary for the quality of its pixels - and it is a CCD camera 😛 😀
NB23 said:Wow! This has become a 1D VS. 5D conversation... But why are Canon shooters all the same?
fdigital said::bang:
Why are leica shooters all the same?
sitemistic said:And to think, it all started with the Digilux 1, possibly the worst image quality ever. And yes, I owned one for a week, and couldn't get rid of it quickly enough. I bring this up only to point out that Leica has a sorry history of putting their names on some awful cameras since the digital dawn. Leica had to have known that the Digilux 1 image quality sucked compared to even low end p&s digitals of the time. Why would they do that?
I've never figured that out.
rsl said:with the M8. the camera may make very good images when it works, but as a tool for someone who needs reliability it's an obvious dud.
...how long will the bandwagon keep going before the wheels come off?
NB23 said:Same as? You mean why they have common sense? Probably because they are usually older.