Gabriel M.A.
My Red Dot Glows For You
The cow ain't born yet and the milk's already spoiling? Goodness.
gabrielma said:The cow ain't born yet and the milk's already spoiling? Goodness.
jaapv said:I'm not saying the technowizards have stopped working their spells, Bill, what I'm saying is that it is pretty hard to imagine better results than the Canon 1Dsii's and DMR's of this world are producing.
jlw said:But in terms of current DSLRs having run out of room to improve in terms of technical image quality, it's clear that they haven't. (Ask any experienced user of a 35mm-based digital camera if he wouldn't like to have, say, two more stops of overexposure latitude and you'll get a rousing "Yes!")
gabrielma said:The cow ain't born yet and the milk's already spoiling? Goodness.
shutterflower said:Any digital camera - until they decide to stop leeching the market for all its worth - will suffer very extreme depreciation relative to a film camera over a similar amount of time.
Hear,hear! The main thing is that we are rapidly approaching a point where the limitations of our gear are not technological any more but biological. Given the average size of a living room wall and the resolving power of the human eye, there is a natural limit to the megapixels needed. It is not needed to increase the dynamic range of a sensor beyond Ansel Adams' ten zones as the eye will no see a better print when the number of zones is increased. 16 MP is enough resolution to create billboards and most high-end sensors will produce about ten stops of dynamic range, certainly with a little tweaking using raw. Then there is the problem of diminshing returns in lens design. The very best Leica lenses have risen to about the order of 20 lp/mm in resolution, which appears to be as close to the limit of optical possibilities as humanly feasable. That is in the same order as 10-15 Mp sensors, so there is no gain there as well. The only reasonable advances could be in noise reduction, but, well, acoustical engeneers have been working on that problem for fifty years now and it is doubtful that really significant gains are in the offing. So what can we expect? "" upgrades" like better AF, orintelligent camera's that analyse photo content and adjust the camera's accordingly without the brain of the photographer involved? GPS to pinpoint the spot where the camera was at the moment the shutter was pressed? I feel most "advances" from now on will be like that, so not what Leica or indeed RF photography is about.rvaubel said:Although the Megapixel War started to abate with the first crop of 6M DSLRs, the end is not near. For various technical reasons, the endgame for FF format will be about 30MP. For 1.5 crop about 16MP. That means that FF will supplant medium format for the pros and the fruitcase amatuers. The smaller format (1.3 and 1.5) will be fine for anyone with any sense (of which I am often in short supply).
Improvements in dynamic range and sensitivity trumps any increased MP resolution beyond 10MP or so. I can live with the 6MP of my R-D1 because of the rangefinder form factor and I get to use all those cool M and LTM lenses.
The M8 will be a definite improvement over the Epson and reaches a comfort zone I could stay with for a long time. As an aside, I plan to keep the R-D1 as a useful camera in its niche. Not exactly obsolete.
My point is that MP resolution past a certain point is both impossible and unnecessary for FF cameras. Nobody needs to do 50% crops to produce 20" X 30" prints on a regular basis.
Technical improvements have awhile to go, but will be concentrated in other areas than MP. Meanwhile I suspect that cameras of different technological sophistication can co-exist on the same playing field.
And hence, the M8 will hold its value better than DSLR's .
That was a long trip for a short answer.
Rex
jlw said:A few months ago I attended a studio workshop in which we shot with a Leaf Aptus 22 back (mounted, incidentally, on a very old Hasselblad.) I'd have to say when you're looking at fine details, transitions, shadows, etc., the differences between its results and those of even a top-tier DSLR are fairly horrifying. The Leaf back produces a huge, smooth dynamic range, you can see farther into the shadows, there's nothing I'd categorize as noise, and tiny textural tales are luridly sharp.
shutterflower said:Right now, I am thinking about buying another DSLR . . . I said I wouldn't, but work may require that I do . . .and my main concern is depreciation since no one is paying for this but me. I have to consider whether depretiation on a DSLR will outweigh film costs with my current setup, or whatever. It gets hairy.
May I offer my trash-can?? I''l send it over by Fedex.T_om said:I have people at weddings ask me 'how much did those cameras cost' (pointing at my 5D's).
I tell them the truth. They were free.
My film and lab bills for a year more than paid for them so they cost me nothing. When they wear out, or something better comes along, I'll dump them in the nearest trash can and get the better camera.
It will also be free.
Cameras are tools, not religious icons.
Tom
At the moment, the M8 has no value because it isn' t available, regardless of price. What does have value, for me, are the LTM and M lenses I use with my CV and Leica cameras. If the M8 brings with it continued value to my lenses, after film becomes too difficult to attain, then, regardless of megapixels--or is that "mebipixels" ?--the M8 could have value. As for the collector-types, I've seen old Pulsar and TI digital watches from the early 1980's priced as high as some "jewelled" timepieces, so this M8 might also keep value as a fetish too 😉boarini2003 said:No other camera in the world holds it's value like a Leica. The design is timeless and the construction is second to none, especially the iconic M system. But.... The M8, sure, it's a Leica, but it's digital! How do you think it will hold it's value when compared to other cameras on the long run?
Mark Norton said:I don't think we'll get it but it would be good if the screen on the M8 were foldaway like on the R-D1, Leica's contribution to anti-chimping...
Tom, with resepct to your post, work, skill and profession you have removed yourself from the original poster's context of "the beholder". However, in so doing, you have not addressed his claim/comment with respect to(wrt) the implied value of the tool as an object.T_om said:I have people at weddings ask me 'how much did those cameras cost' (pointing at my 5D's).
I tell them the truth. They were free.
My film and lab bills for a year more than paid for them so they cost me nothing. When they wear out, or something better comes along, I'll dump them in the nearest trash can and get the better camera.
It will also be free.
Cameras are tools, not religious icons.
Tom
bmattock said:I tend to doubt that. First of all, the 'next' jump in the silly megapixel war has begun, now a few of the tiny digicams are touting 10 mp, so everybody has to follow along.
Second, the sensors themselves are in their infancy. They still don't have the latitude of color print film, nor the sensitivity of the fastest film without degradation. LCD displays are slowly being usurped by OLED.
I suspect we'll see not just evolutionary changes in CCD/CMOS in the near term, but perhaps replacement technology that will unseat both of them and replace them with something altogether more satisfactory. There are billions of dollars in R&D all over the world right now trying to do just that.
Long and short - the digital camera market is not only NOT a mature market, it is a decade away from a mature market. The road ahead is bumpy. Hold on tight.