I'm sorta against those film emulation presets out there but I have to ask: have you guys ever used it with great results on the M9? Because I feel if I was gonna use one of those I'd still have to tweak the picture so I figure i'd do the whole tweaking myself with no presets. Even because I like the M9 files a lot. Just wondering if someone here actually loves one of those VSCO (or Mastin Labs) on the CCD so I might give it a shot...
I already googled the hell out of it so just wondering in a more personal perspective here..
thanks
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I've used both VSCO and Replichrome, and generally prefer VSCO. I use VSCO presets to see how I want a picture (that I care about) to look — to see the direction that I want to go in. My steps are usually as follows, using Lightroom for my M9:
1. In the develop module I press Auto and adjust the sliders until it looks okay, and take a snapshot calling it "LR6".
2. I try a few VSCO presets: for color I often try Ektachrome 100-, Portra 400- and E100G- (lately though, I've also try, from VSCO 06 Push & Pull, Portra 400⁺¹ -).
3. From among my 2 or 3 snapshots, I choose the one I like the best and process it further in the Develop module of LR. Sometimes the one I choose the original LR snapshot. It all depends how I want the final image to look.
For B&W, I also go through steps 1 and 2. The VSCO presets I usually try are Kodak TRI-X 400 - and Fuji Neopan 1600 - (this one often blows the highlights) and, recently, from VSCO 06 Push & Pull I try TRI-X⁺² -, which often looks great. Then, I chose the one I like best and adjust it, if necessary in the LR Develop and make a snapshot. Then, I use Silver Efex 2 to process the picture and compare it to the LR snapshot — usually the Silver Efex version looks much better, but nor always.
Now all this may sound very long-winded but, once you know what you're doing it's quick. On how I use Silver Efex is another story...
I also agree with japan that I wouldn't start using Aperture now. I started with Aperture a few years ago and preferred the user interface to LR — but once Aperture was orphaned by Apple, I moved to LR and, not only saw that the user interface was better, but that it produced better colors (more easily) than Aperture.