major exhibit of work by blind photographers - California Museum of Photography

Bob Michaels

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There is an exhibit of work done by blind photographers at the California Museum of Photography in Riverside. I believe the on line version and commentary of the curator, Doug McColloh, is a "must see and hear". http://www.cmp.ucr.edu/exhibitions/sightunseen/exh_default.lasso

Many of you will be immediately dismissive of the concept of meaningful photos done by those who cannot see as we normally comprehend the term. That is your loss. There is a lot to be learned about the concept of "seeing" as Doug McColloh describes the process.

If you feel Doug McColloh needs some credibility, view and read his photo story "Dream Street" at http://www.douglasmcculloh.com/index2.html. I also own the book which is better than the on line version. This is documentary photography telling a story at it's best.
 
Thanks for the link, Bob. I have to admit that I struggle with this. In a way I know that I should be accepting of this, but if I'm truthful to myself, I am not. This is just my personal opinion, and I would not argue the point with anyone who thinks differently as that is their personal take on this issue. Certainly it is my loss.
 
Frank:

I probably would not have bothered except I has already seen a slide show that Doug presented last year of the photos of one of his blind friends. I was impressed.

Plus I have a very healthy dose of respect for Doug's talents both as a curator and as a photographer.

Oh, the first time I met Doug McColloh was when we ran into each other photographing the same thing. He explained what they were doing and said they "hoped to have an exhibit". I just replied "don't we all" and walked away.

The second time I met Doug was at the opening of that exhibit they hoped to have. It was 80 16x20 prints in a major photo museum, with an accompanying book of the photos. Needless to say, my exhibit was several orders of magnitude less significant.
 
Bob, I can not dispute your reaction and assessment of his photography. That is purely subjective.

Here is what I struggle with: How can one explain how a blind photographer, reacting only to sounds and possibly blobs of lightness and darkness (depending on the degree of vision) can have a better/stronger/more significant photographic vision than a competent sighted photographer? That must be some extreme talent to overcome the lack/impairment of a seemingly required/prerequisite ability.

Now, I could understand if the blindness was not absolute or really significant. I suppose one can be "legally" blind, meeting a bureaucratic criteria/definition of blindness, and still have enough sight in order to have a pretty good idea of what is being photographed. That I can understand, and this is likely the case here, right? In that case, no issue for me.
 
I live about a mile from the museum and needless to say I have seen the exhibit. To say it is awe inspiring is to do it an injustice! For me it was truly humbling to view these images. After seeing the exhibit a good friend mine remarked that he will never again make a smart-ass remark about blind photographers.
 
When I read or hear "blind" my initial assumption is totally sightless. "Visually impaired" in my personal dictionary may be more accurate.
 
When I read or hear "blind" my initial assumption is totally sightless. "Visually impaired" in my personal dictionary may be more accurate.
Does it really matter? Could the photos be external manifestations of an internal vision? I recently read about some British researchers' findings that we use other senses - in addition to eye sight - to help us 'see'.
 
Here is what I struggle with: How can one explain how a blind photographer, reacting only to sounds and possibly blobs of lightness and darkness (depending on the degree of vision) can have a better/stronger/more significant photographic vision than a competent sighted photographer? That must be some extreme talent to overcome the lack/impairment of a seemingly required/prerequisite ability.

Did you just not buy Doug McColloh's detailed explanation? I thought he explained that very well. No one contended that blind photographers did better work, just different and as good.

Now, I could understand if the blindness was not absolute or really significant. I suppose one can be "legally" blind, meeting a bureaucratic criteria/definition of blindness, and still have enough sight in order to have a pretty good idea of what is being photographed. That I can understand, and this is likely the case here, right? In that case, no issue for me.

I believe just about everyone whose work was included in this exhibit is totally blind, as in not being able to discern light from total darkness.

FWIW, yesterday I revisited my favorite photo exhibit of 2009. It was done by 11-12-13 year old kids from low income homes who were given basic cameras, shown how to use them, and told to go back and photograph what they deemed important to them. I have seen some high end exhibits by some pretty famous photographers this year. But the vision of those kids trumped them all. I guess one could assume their work cannot be any good as they know almost nothing about photography.

But we all see things differently. That is why this is art and not science.
 
Bob, thanks for the link. The work on the site is fascinating and, I think, speaks for itself.

One summer when I was in my early teens I worked at a day camp for blind kids. Among the activities we partook in together were swimming, bicycling on tandem bikes and kick ball. The ball we used for kick ball had something inside that would emit an audible beep so that the kids could learn to time their kicks in sync with the speed of the ball and its approach to them. Some of the kids got pretty good at this. Ditto with fielding the ball. I can't explain much beyond the old saw that if you have one sense that is damaged your dependence on the remaining ones tends to heighten your ability to absorb what they tell you. I will say that some of these kids were sports fanatics and had great sense of humor, as with the one boy who said to a fellow camper (both of them without any sight), "That pitch was so fast you didn't even see it." They knew where to "look" even though they couldn't see and they certainly knew when they had a good result, running faster when they'd given the ball a good belt.

Anyway, these photos are great. Thanks for sharing with all of us.
 
Maybe I can shed a bit more light on the subject of blindness and photography...

I am what you Yanks or Brits would call legally blind. In my case it means I have a very narrow vision field (tunnel vision) caused by a rare genetic disease that ultimately are likely to lead to what you probably think of as "blind", i.e. total blackness/darkness. Say a normal person "see" about 180 degrees. Put a finger up in front of your eyes and start to move it to either side of your head w/o following it with your eyes, but rater keeping your eyes fixed at a point straight in front of you. When you loose sight of it, well that's pretty much how wide your vision field is.

Personally my vision field is about 4-7 degrees. Means I can see my index finger but not my ring finger if I hold my hand up in front of me at 20-30cm distance. In terms of sharpness I'm not that far from the norm, I read just fine w/o glasses, but it takes "an hour or two" to look around a viewfinder to see if stuff is where I want it to be. Also, since the kind of light-sensitive cells on the retina that gives you some night vision, is the one that craps out with my particular condition, I can't see **** as far as it gets a little bit dark. Makes night photography an interesting discipline! 😉

My spesific eye disease, with slight variables, is one among maybe half a dozen different conditions that are the primary causes of "legal blindness". Other conditions may have effects like the more familiar (and curable) glaucoma or catarcts that cause harm to the the various lenses and membranes that focuses the light onto the retina, or might even damage the very nerve that transfers this information to the brain. Other conditions again, is the result of actual physical brain damage. Some of these conditions can be helped by surgery, most can't.

Now, the point of all this rambling isn't to let everyone know how much my vision sucks and that therefore I must be a genious photographer. I seriously ain't and I don't think any medical or mental condition should warrant instant canonization as artist. I'm rather interested in giving you a vauge idea of how many ways there is to be vision impaired. There's often even serious differencies between people with the same condition and age, some simply handle their disability better than others and function on a completely different level.

Without knowing for sure, but speaking from personal experience with the blind, I'm guessing that the majority of the blind photographers have at least some remaining vision, even if it is very poor. Even if you are almost completely blackish blind, most still separate bright and dark light for instance. Also, many vision conditions progress/worsen over time, meaning the individuals will often have a pretty good idea of how the world looks like, even if they can't see much of it anymore.

That said, I really believe that vision impaired, or blind if you like, get a different perspective of the world, and that this may, or may not be interesting. Very simplified you could say that some of the common effects blind experience is like swapping a 20mm lens for a 150mm, soiling the lens front element with vazeline or using special effect filters from Cokin with stars, blobs and whatnot.


Hope this is somewhat interesting, otherwise, feel free to ignore my information 😉 If you think that I am a jerk, please do not judge all blind/vision impaired on behalf of me.


/Mac

Ps. The reason I dable in photography is that I like it and find the process enjoyable. Also I want to leave something behind me "as I saw it", even if only for potential kids or my family. Truth is, I haven't got that many years left as a photographer, my vision slowly fades away, I'm 27 now and I "got" a decade maybe. so I got to do this while I still can.
 
Thanks for the write-up, Mac, and the original post, Bob. I was pleased to be reminded about the varied experience of life, and pleased to have a forum where we see such a mix of reasons why we come to use these cameras and capture images.
 
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