Yes, bob...that and moving helped me to look at things differently too.
Calzone
Gear Whore #1
John,
I "collected" my cameras over a long period of time. Seems like there is mucho sentimental value with these cameras as I spent a lot of time with them. In fact you even know many of these cameras. Seems like I have a bit of an archive because these cameras are part of my history. Of course it is different with digital.
I always had the idea of retirement in mind and having them to use for when I retire. Seems like that is happening in two years in the least if a forced move, or if I have my way in 5 years.
I'm saving money presently to build a bridge so I don't have to collect my Social Security or pensions until age 70. This adds about a third more money as far as monthly payments go for the rest of my life. If things go my way I will live comfortably without a "haircut" in lifestyle. Of course this means leaving NYC for a place about 30% less cost of living.
Some brotherly wisdom: at age 50 begin planning for retirement or you might not have one; also realize that at the age of 60 you finally realize that a decade is not that long a time. Seems like only a blink of the eye.
Cal
Range-rover
Veteran
I think I have about 8 now, for film I have the Nikon S3 and the Rollei's
the other's are digital.
Thanks, but living in Chile has put an end to retirement saving. I´m a low wage worker here...
jszokoli
Well-known
My Monochrom is on it's way back to me after 9 months at Leica NJ...
Joe
Joe
Calzone
Gear Whore #1
John,
There is mucho value added and richness in the experience and adventure of relocating and embracing a new culture. After a while NYC even becomes a rut.
I greatly admire the courage to embrace a drastic change in life.
In a way you can frame things in quality of life. You can brag that you did NYC and then moved on. Back at my 40th year High School reunion I saw a huge group of people who never left Long Island. It was kinda sad because they live in such a small world. Meanwhile they were amazed at my crazy life of wandering...
I have a rich brother who is a multi millionaire, but I figure I have the rich life.
Cal
Calzone
Gear Whore #1
Joe,
That was a brutal wait. I was told a 8-10 week turnaround when I sent in my Monochrom December 2015. Cost me nothing because they paid for shipping and insurance both ways. The real wait was for me was 12 weeks, but I understand there is a Christmas New Year's shutdown.
I'm sure you missed the camera. LOL.
Cal
Range-rover
Veteran
I'm feeling the same way about New York as well Cal.
Particular
a.k.a. CNNY, disassembler
Is there a meetup this Sunday? I should be able to make it, though I am pretty busy with other stuff.
Calzone
Gear Whore #1
Christian,
Yes. Rochard on Lex and 97th. Looking forward to a Pastromi Rueben and fries.
I might bring some of my experimental prints. I diluted down the warmth on my K-7. Been printing on Jon Cone Type 5. Interesting comparision between Piezography Pro and K-7 splitone. The PP has a more compressed range of contrast. The K-7 prints less contrast but a broader smoother range of tone.
I love both.
Also I have been using Hahneumule Fine Art Barata which is a mucho bright cellulose paper. The JC Type 5 though has great shadow detail and blacks.
Cal
Calzone
Gear Whore #1
Bob,
I'm just rutting it out. I miss fishing and biking. The pollution is starting to bother me more and more.
In a way it is like jail time. Two to five more years. I'll make the most of it...
Cal
dshfoto
Well-known
I just started scanning the Double-X, I may have a print by then.
Also, some members of the group might like to know about the following.
I have had photos in two of the Non-Members Exhibitions, but now that I am a member, I can't enter this one, but -- most you can!
CALL FOR ENTRIES: SCNY 40th Open Annual Non-Members' Exhibition
Also, some members of the group might like to know about the following.
I have had photos in two of the Non-Members Exhibitions, but now that I am a member, I can't enter this one, but -- most you can!
CALL FOR ENTRIES: SCNY 40th Open Annual Non-Members' Exhibition
The Salmagundi Club announced its ANNUAL OPEN EXHIBITIONS, one for Painting, Sculpture, & Graphics and the other for Photography July 23 - Aug. 3, 2018. These competitive fine art exhibitions are comprised of works from all over the country and allows both well known and up-and-coming artists to exhibit their work in the Salmagundi Club's prestigious galleries.
Entry Deadline: Saturday, June 2, 2018.
For the Painting, Sculpture, & Graphics Prospectus, click HERE.
For the Photography Prospectus, click HERE.
Steve H.
Entry Deadline: Saturday, June 2, 2018.
For the Painting, Sculpture, & Graphics Prospectus, click HERE.
For the Photography Prospectus, click HERE.
Steve H.
dshfoto
Well-known
Also, OPEN PHOTOGRAPHY EXHIBITION.
in the Salmagundi Club's galleries.
Exhibition: March 26 - April 6, 2108
[FONT=Verdana, Geneva, sans-serif]The Reception for this show has been moved to [/FONT][FONT=Verdana, Geneva, sans-serif]closing night, Friday, April 6, 6-9PM[/FONT]
[FONT=Verdana, Geneva, sans-serif]Mark your calendars, usually the "receptions" are a lot of fun.[/FONT]
[FONT=Verdana, Geneva, sans-serif][/FONT]
in the Salmagundi Club's galleries.
Exhibition: March 26 - April 6, 2108
[FONT=Verdana, Geneva, sans-serif]The Reception for this show has been moved to [/FONT][FONT=Verdana, Geneva, sans-serif]closing night, Friday, April 6, 6-9PM[/FONT]
[FONT=Verdana, Geneva, sans-serif]Mark your calendars, usually the "receptions" are a lot of fun.[/FONT]
[FONT=Verdana, Geneva, sans-serif][/FONT]
Calzone
Gear Whore #1
dshfoto
Well-known
Yes, it is the roll you gave to me. Cartridge says: "Kodak Motion Picture Film 5222 Double-X; loaded by Photo Warehouse Cat#623-36250". Shot in an R6, Summilux 50mm f/1.4, ISO setting 400.
My impression after looking at the strip hanging to dry and the first 4 frames in the Imacon II scanner is that this film will be very useful. I seems to have great density for scanning (as opposed to the Ferrania P30 which seems a little thin and seems not to like Diafine as a developer.
My impression after looking at the strip hanging to dry and the first 4 frames in the Imacon II scanner is that this film will be very useful. I seems to have great density for scanning (as opposed to the Ferrania P30 which seems a little thin and seems not to like Diafine as a developer.
Calzone
Gear Whore #1
Steve,
This is an old school emulsion, and it is silver rich thick emulsion. Joe is also a huge fan of this film. Not bad at 400 ISO too. Makes really pretty negatives.
I buy it rolled from Photowarehouse for convenience, but I'm thinking of bulk loading because for 35mm I could use it as my only film I love it so much.
Has a retro look. Most people call it 5222.
Cal
dshfoto
Well-known
Cal,
The first 8 frames seem to show what I would call "wide latitude" in the scan. That might be the wrong term, but to me it means that the raw histogram out of the sensor seems to cover almost the entire range of the sensor's capability. So you don't have to use software to open up the histogram later.
After I get this scanned, I need to move the files over to some other processing software, and see how it prints out in Quadtone Rip.
Steve
The first 8 frames seem to show what I would call "wide latitude" in the scan. That might be the wrong term, but to me it means that the raw histogram out of the sensor seems to cover almost the entire range of the sensor's capability. So you don't have to use software to open up the histogram later.
After I get this scanned, I need to move the files over to some other processing software, and see how it prints out in Quadtone Rip.
Steve
Calzone
Gear Whore #1
Steve,
I think what you are experiencing is twofold: one is the Diafine effect of capturing wide /broad lattitude; and secondly 5222 because it is a motion picture film has a mucho silver rich thick emulsion that captures and has a broad range of lattitude.
I'll bring some negatives and a light table. I like this film better than Tri-X.
As far as getting out of your rut and being inspired, I would suggest bulking up a few hundred rolls of 5222 and just concentrating on shooting this film over the next few months. Bound to inspire. What wonderful contrast. Also love the retro look. Ideal film for me.
Cal
dshfoto
Well-known
I just read that Double-X 5222 is the cine version of the discontinued Plus-X from Kodak Eastman. (https://www.l-camera-forum.com/topic/250294-kodak-5222-double-x-in-my-leica-m7/) No discussion there about using Diafine as a developer though.
Have you researched the best place / price to "bulk up a few hundred rolls"?
Steve
Have you researched the best place / price to "bulk up a few hundred rolls"?
Steve
dshfoto
Well-known
I will bring some 5222 negs as well & a Pentax K1000 with a Nikkor 85mm f/1.8 AI, converted with a Leitax mount.
I am going back to the late 60's - early 70's - in equipment and now with something similar to my favorite then "Plux-X" this will be a blast!
Steve
I am going back to the late 60's - early 70's - in equipment and now with something similar to my favorite then "Plux-X" this will be a blast!
Steve