Pennsylvania May NYC Meet-UP/May Philly Megabus Trip

Perhaps you you start a new thread called "Maggie" where you can track her likes, followers, and modelling schedule rather than intersperse such information throughout the photo threads. That way it would be readily accessible to those who are interested in such information.

Thanks for your post.

It kinda is off topic, but because this is the local club thread I kinda got away with posting about "Maggie."

Some of the moderators know her, as well as many of the people who attend the NYC Meet-Ups.

Anyways I try to restrict my off topic rants that many people on this forum follow to this more local thread out of respect for the rules that I am bending.

The reportage of my gal's fashion blog is of interest to some, but not all. It is photography related only in that I am an "accidental fashion photographer."

In a way this thread about our local Meet-Ups is about Social Media, so I'm not totally off base. Also know that many readers just follow these threads for entertainment value, the color provided, and the personalities of our rather large group.

Cal
 
Even Im following her.... literally.. 😱

Fidel,

The smut I am able to reveal in these threads gives an insider's view of the behind the scenes of having a girlfriend who is a fashion blogger. It is truely unbelievable what has happened. Now somehow my gal is a celeb.

This August will be her third year since she started her blog.

Somehow my photography has been published in all these print magazines all over the world. Pretty funny how my life is a mess. LOL.

Anyways it is pretty hard to be a lazy slacker lately. LOL.

All I can say is that some big stuff is going to happen in May as her agent lights the fire and now begins to promote her.

Today she forwarded some TV solicitation from LA to her agent. A while back some rather famous reality TV producer wanted to meet with her. Another solicitation to go back to China was forwarded to her agent to be filtered and negociated.

Cal
 
Later this month she has a shoot in Bar-Cell-lone-A, that had been moved from Mad-Rid (Madrid), for a major magazine shoot.



Cal

That's in town! Do come if possible!
Who knows if I may spot her around. But cities are crazy so one could be down around the same block and never get to see. Don't think I'll see her around the streets though. Would be crazy no?

I expected Barcelona would be in the tracks sooner or later.
 
160K followers last night at bedtime. 165K followers this morning.

Yesterday Maggie was a bit crazed. She is leaving for London this Friday night, and so far had no itinerary. "What clothes am I going to bring?" she said.

Also know that somehow this trip to London doglegs into the trip to Lisbon.

So then her agent calls... This is how the world of fashion works: all at the last minute, and it does not have to be this way.

So by Thursday Maggie needs to get a gown for some black tie event, and a cocktail dress. There is some other shoot in London for a British magazine, the trip to Lisbon for some luxury meeting, and then a return trip to London for something else.

Understand that Maggie's wardrobe does not include formal wear. Also some clothes delivery from a designer friend hopefully gets delivered before Friday...

Meanwhile I have over a hundred rolls of film to develop.

Cal
 
It is Friday. Last night "Maggie" had 184K followers and this morning 187K followers. The big surge continues. It was just before the April 30th NYC Meet-Up that she first hit 100K, which was a big milestone, but that was less than two weeks ago. Basically I project she will hit 200K followers by the 14th of May or gain 100K followers in basically two weeks.

Tonight she flies to London and will be gone for almost a week. My advice to her was to think of this trip as a vacation and go with no expectations to just be in the moment. I mentioned how this experience will be one of those peak moments in your life, so just go with the flow.

Yesterday she was exhausted. A big box of clothes arrived from an up and coming designer friend. These clothes are high ended and have to be returned, except for one outfit of Maggie's choosing which will be a gift. So last night my apartment was set up as a dressing room at Berdorf's as shoes, earings and coats were put together for important fashion travels, and in a way I am seeing a fashion show take place in my living room.

The deal here is among two friends: a high-end designer and an up and coming digital influencer. This wardrobe will be used on this trip and will gain access and exposure to this lesser known designer where Maggie will be running with and meeting all these big wigs from luxury brands. In a ways this is like almost a multiple job interview set up by her agent at a luxury fashion industry convention.

Somehow Maggie had to go out, buy, and put together a formal outfit for a black tie event, and on top of that she had to get a manicure and pedicure, as well as visit a currency exchange. So all at the last minute, as usual, everything converges and just happens.

So I am at work now and I have a gallon kit of Diafine to mix. I have a distilled water system in one of my labs, and this water is scrubbed by reverse osmosis to get a resistivity of 18 mega-ohms. Only the best for me. I hope to develop over a hundred rolls over the weekend, which is expected to be a washout.

GEAR ALERT: Linhof Disease continues and I secured a 2x3 Grafmatic that allows rapid shooting of six stacked sheet films. I kinda paid a premium for a clean one, and remember I also have half a dozen double sided Linhof sheet holders.

It seems that 2x3, or 6x9 allows the 53 Biogon to have a 24mm FOV which suits me fine. The ergonomics of shooting sheet films is a lighter more compact camera that weighs less than and only 7 1/4 pounds. LOL. To give you a context my Pentax 67 II rigged with the 75/2.8 AL, without the secondary grip weighs 5 1/4 pounds (all measured on a very accurate digital bike scale).

Nippon called me to let me know that the 100/2.8 Planar has some lens separation, and they wanted to know if I wanted them to proceed with cleaning the lens and retiming the copal shutter (Linhof select). I told them to proceed because later I will send this lens to John at Focal Point to have the lens separation repaired and the balsam will get replaced by modern optical adhesive.

This lens separation is why I bought the complete kit with all the extras for only $750.00. Otherwise this Technika IV is a clean Shelf Queen that when it comes back from Nippon Camera Clinic should be like a brand new Linhof.

So we are just riding a huge ground swell...

Cal
 
I would personally not get the lens separation fixed. The process to repair it involves baking the lens in a oven to completely separate the elements and then regluing them together. It will take several months and there is a high probability that the elements might get further damaged/explode, leaving you with no lens. Focal point and Nippon will still bill you for the repair even if you end up with nothing. Both Fleenor and jimmy Koh confirmed this. Koh even told me that several of his Leica lenses were ruined recently this way. Not worth the risk. Just get Nippon to fix the shutter and shoot the lens as is.
Also why are you using Nippon to repair LF shutters and lenses? Use Skgrimes
http://www.skgrimes.com/
They are the best and would probably be cheaper too.
 
I would personally not get the lens separation fixed. The process to repair it involves baking the lens in a oven to completely separate the elements and then regluing them together. It will take several months and there is a high probability that the elements might get further damaged/explode, leaving you with no lens. Focal point and Nippon will still bill you for the repair even if you end up with nothing. Both Fleenor and jimmy Koh confirmed this. Koh even told me that several of his Leica lenses were ruined recently this way. Not worth the risk. Just get Nippon to fix the shutter and shoot the lens as is.
Also why are you using Nippon to repair LF shutters and lenses? Use Skgrimes
http://www.skgrimes.com/
They are the best and would probably be cheaper too.

Pro-Mone,

Thanks for the heads up on SK Grimes.

One of the reasons I gave Nippon the work is because they are not only local, but I also have been happy with their work on other cameras. Understand that Marflex, the old U.S. Service Center for Linhof is no more, and currently Nippon is the U.S. Service Center for Linhof's.

No doubt that SKGrimes is likely less costly though as Nippon is never cheap. Understand that my life is also busier than ever, so I'm O.K. with paying a premium for convenience.

I am aware of the risk of destroying the lens by attempting a repair, but the pricing of this entire kit makes it really a free lens because just the body with all the accessories and bonus extras as well as the remarkable condition will still be a good deal for the $750.00 I paid.

The separation is in the rear element, and pretty much is kinda close to a complete separation already. I am aware of the gamble and the oven process to soften the glue, but because the separation is so complete already it works in my favor that the odds might be stacked in my favor. Separating the two lens elements is where the danger lies in destroying the lens.

If the separation was minor of course it would be a very different story where risks would be higher. I am prepared for both the risk and possible reward. Basically I'm looking at this as a "Free" lens already because I already got my money's worth with the body and extras.

I have gotten work done on a recoating on my version one 50 Rigid at Focal Point. The vacuum deposition chamber only gets run when full, so the wait can be very extended. One step at a time, but I first need to put some film though this camera first. The rear element just unscrews as an assembly so there also is a possibility of buying another 100 Planar for just the rear element if it is good, but that introduces other factors and variables.

Currently at the age of 59 life is "oh-well." I still have not contacted John at Focal Point for an estimate, but like "Bankster" blood in me and my day-trading experience tells me to think ahead, consider all the possibilities, and be flexible. In other words, be in the moment, go with the flow, and have the attitude of a street shooter.

BTW in Navy SEAL survival training they are taught that 95% of survival is maintaining a positive mental attitude. I believe my positive spin on things not only can effect the outcome, but also leads to positive outcomes. Know that I am remarkably lucky, and all these wonderful things that are beyond coincidence seem to happen to me.

Also know it is inherent in my personality to gamble, to confront risk, and to embrace chance. Perhaps we should start a pool and place bets, but I would not ever bet against me.

Cal

BTW the shutter intermittently sticks at 1/10th second which is a very useful and valuable speed on a leaf shuttered camera. Shooting the lens as is would be a handicap, but I see your point.
 
Pro-Mone,

Have you used FP-4 with Diafine?

Just thinking ahead because FP-4 is available in 2x3 sheets and bigger sheet sizes. I think when I run out of my dated stockpile of Acros and Tri-X I'll be all in for optimizing FP-4.

When I go to Freestyle to check pricing they only list two Fuji films for B&W so it is easy to see that it is a matter of time...

Also FP-4 is about $60.00 for a 100 foot roll.

Cal

ADDENDUM: I think I'll be buying Kodak 5222. I think I can deal with the 400 foot cans. Ends up being about $65.00 per 100 feet.
 
Pro-Mone,

Have you used FP-4 with Diafine?

Just thinking ahead because FP-4 is available in 2x3 sheets and bigger sheet sizes. I think when I run out of my dated stockpile of Acros and Tri-X I'll be all in for optimizing FP-4.

When I go to Freestyle to check pricing they only list two Fuji films for B&W so it is easy to see that it is a matter of time...

Also FP-4 is about $60.00 for a 100 foot roll.

Cal

ADDENDUM: I think I'll be buying Kodak 5222. I think I can deal with the 400 foot cans. Ends up being about $65.00 per 100 feet.


If that's Ilford FP4 then yes. I have. Didn't really like the results. Muddy grays with no real black and whites. Sort of like the results from a summaron lol. This was only 2 rolls so I might not have really given it a good enough run to make any conclusions. The only Ilford film I like in Diafine is PanF+. HP5 is good but I much prefer TriX.
 
If that's Ilford FP4 then yes. I have. Didn't really like the results. Muddy grays with no real black and whites. Sort of like the results from a summaron lol. This was only 2 rolls so I might not have really given it a good enough run to make any conclusions. The only Ilford film I like in Diafine is PanF+. HP5 is good but I much prefer TriX.

Pro-Mone,

I have not nailed Pan F yet, but I have lots of exposed film to make Pan F work at 80 ISO and 100 ISO.

With HP5 I found it to be excessively grainy when compared to Tri-X. The Tri-X just was so much smoother.

It seems that FP4 in 135 is priced kinda high, but in 120 it compares to Acros in 120. Funny how expensive Acros is in 135, so that's where one either has to bulk load FP-4 for $60.00 per 100 feet or go 5222 for $65.00 per hundred feet.

Tri-X is just the opposite where 135 is still about $5.00 a roll but the 120 is costly.

What gives? Anyways been obsessing about loading up on film and how to handle the pricing.

Cal
 
I've been adapting myself to new schedules. It's been a crazy 2 weeks that went from ready to move out in a day to having all plans fall over and unexpected stay-in town. At least now I am literally a "bankster". It's a new schedule to me and although they are quite OK (Out of home from 6AM to 5PM) I arrive quite tired. I expect that with routine this will wear off, but I haven't shot at all during the meantime and not even with the phone.

Where's Bob?

It's Saturday night and after dinner I just got to see a classified app. "Oh let's see Rolleis" I thought...
Scrolling I have a well used 3.5E Xenotar pops up for 200€ ($220).
😱

EDIT: As far as helpful and nice the seller was, the poor Rollei has a scratched up Xenotar with a strange "ring coating fog" that screams something weird, but not separation or fungus. Oil in the shutter. Then a missing feet, and a cracked focusing screen. The part that rotates to unlock the door opening is mangled and deformed.

https://www.dropbox.com/s/av66cwrxaxurmsl/thumbnail_IMG_5701.jpg?dl=0
https://www.dropbox.com/s/0gamdvk1g4suybc/thumbnail_IMG_5699.jpg?dl=0
https://www.dropbox.com/s/o4is1yt9xczbycg/thumbnail_IMG_5705.jpg?dl=0
It's bad to see a nice machine in that state!
Mark Twain would've said: "Buy RolleisThey're Not Making Any More".
I'd hope to rescue it, but it's much to do. Better off saving up for a nice one. Moot point changing the Xenar for a Xenotar in a poor state. A good thing about these banged UG machines is reckless use in tropical not so safe regions.

Again, I should spend more on film and processing than gear, but well. Cal, in retrospective 2010 was a great time for film. Courtesy of archive.org it was curious to see the 120-220 prices back then, cheap and with some exotic produce!
 
Last edited:
I developed 9 two liter tanks worth of film.

I learned that I need to process my film in a more timely manner. Some of the film was exposed a year ago, and I can see that the images get a little "slured" over time. The more recently exposed films seemed more polished, more detailed, and more modern. The films with the old exposure definitely had a more retro look. Interesting to note that the Pan F images came out as blank film with only hints of exposure. Oh-well. Moral of the story is don't shoot Pan F because it is no good for lazy slackers like me.

A miracle happened. I had one roll of FP4 that I used as a test. How did I nail the ISO for perfect development in Diafine. How lucky is that, or is it another divine intervention? FP4 is a film that is available in 2x3 cut sheets for use in my Linhof's.

So yesterday I go to Adorama to buy FP4, but the 50 pack of 135 I am told is in a warehouse. At Adorama not having stock at hand is a cronic problem, so I head off to B&H. At least B&H has stock, but I basically wipe out their counter stock of FP4 135 and also purchase 20 rolls of 120 to get started.

Upon leaving there seems to be some labor unrest at B&H because there is a picket line at the exit. It seems the leases for B&H's warehouses in the Brooklyn Navy Yard and in Bushwick run out in 2018. The new warehouse is in New Jersey and it seems that about 300 workers will be effected (displaced).

B&H gave a handout explaining that current warehouse workers can have their positions in the new location, and that a healthy severance package will be supplied to those that decide to move on.

The protesters claim that B&H is trying to breakup the union, and say that the new location offers no mass transit opportunities to continue employment.

So I am beginning to see the trend here of remote warehousing effecting stock of items. It seems that B&H no longer stores bricks of film or 5 liter containers of fixer in the store.

I hope B&H never gets as bad as Adorama, but already I have had to order and come back another day for pick-up for some items. In a way I feel annoyed. I live in NYC where I pay extra to have everything at hand. I am use to that level of instant gratitfication, but realize I pay dearly for that level of entitlement.

Cal
 
I've been adapting myself to new schedules. It's been a crazy 2 weeks that went from ready to move out in a day to having all plans fall over and unexpected stay-in town. At least now I am literally a "bankster". It's a new schedule to me and although they are quite OK (Out of home from 6AM to 5PM) I arrive quite tired. I expect that with routine this will wear off, but I haven't shot at all during the meantime and not even with the phone.

Where's Bob?

It's Saturday night and after dinner I just got to see a classified app. "Oh let's see Rolleis" I thought...
Scrolling I have a well used 3.5E Xenotar pops up for 200€ ($220).
😱

EDIT: As far as helpful and nice the seller was, the poor Rollei has a scratched up Xenotar with a strange "ring coating fog" that screams something weird, but not separation or fungus. Oil in the shutter. Then a missing feet, and a cracked focusing screen. The part that rotates to unlock the door opening is mangled and deformed.

https://www.dropbox.com/s/av66cwrxaxurmsl/thumbnail_IMG_5701.jpg?dl=0
https://www.dropbox.com/s/0gamdvk1g4suybc/thumbnail_IMG_5699.jpg?dl=0
https://www.dropbox.com/s/o4is1yt9xczbycg/thumbnail_IMG_5705.jpg?dl=0
It's bad to see a nice machine in that state!
Mark Twain would've said: "Buy RolleisThey're Not Making Any More".
I'd hope to rescue it, but it's much to do. Better off saving up for a nice one. Moot point changing the Xenar for a Xenotar in a poor state. A good thing about these banged UG machines is reckless use in tropical not so safe regions.

Again, I should spend more on film and processing than gear, but well. Cal, in retrospective 2010 was a great time for film. Courtesy of archive.org it was curious to see the 120-220 prices back then, cheap and with some exotic produce!

Jorde,

With a Rollie I would hold out and save up for a good one. It is a camera you could own and shoot the rest of your life.

Also congrats on becoming a "Bankster."

Cal
 
Thanks! Actually just a lower rank branch employee. This was a great position a decade+ ago. We're 2 in the same position and we touch mucho money, but are the ones earning the least. A bit ironic. Still, there is good external prestige and it's an entretaining job with good schedules.

I'm normalizing the 6AM commutes and arriving less tired, though I feel as if the summer harsh light has come very fast and I haven't yet got my shooting windows in place.

Got to exploit the classic Rolleicord Xenar. If of course beats the Planars and Xenotars in being more characterful.

I learned that I need to process my film in a more timely manner. Some of the film was exposed a year ago, and I can see that the images get a little "slured" over time. The more recently exposed films seemed more polished, more detailed, and more modern. (...)

So yesterday I go to Adorama to buy FP4, but the 50 pack of 135 I am told is in a warehouse. At Adorama not having stock at hand is a cronic problem, so I head off to B&H. At least B&H has stock, but I basically wipe out their counter stock of FP4 135 and also purchase 20 rolls of 120 to get started.
(...)
I hope B&H never gets as bad as Adorama, but already I have had to order and come back another day for pick-up for some items. In a way I feel annoyed. I live in NYC where I pay extra to have everything at hand. I am use to that level of instant gratitfication, but realize I pay dearly for that level of entitlement.

Cal

I remember when walking in B&H and Adorama, which since I ever began shooting had this amazing aura of film Mecca, had quite some modest film stocks in store. Not as much as I expected. The one thing that B&H and Adorama keep having good film prices.
The most legendary film place is the Yodobashi coolers in Japan.

I tend to batch the film and it can sit for quite a while. The Kodak color I've been shooting in 120 all goes into the cooler now as I batch it up... The imprint issues.

Retail times a' changin'. It wasn't that long that drones would deliver ecommerce. In a way internet has been a boon for film, but I see not everything.
 
Retail times a' changin'. It wasn't that long that drones would deliver ecommerce. In a way internet has been a boon for film, but I see not everything.

Jorde,

You offer a great insight: retail at Adorama and B&H has become more wired.

The hay-day for B&W film was when at FreeStyle I could order a few hundred rolls of rebranded Tri-X (Arista Premium) for $2.89 a roll.

They had a sale on close dated rebranded Acros sale for $1.89 a roll. Bought mucho hundreds.

At Adorama they had mispricings and sold 120 Acros for $2.89 a roll. I was a greedy Bankster in me made me load up the truck.

When I first heard that Tri-X Professional 320 was being closed out I ran to B&H to find that someone already wiped out their stock, but I ran down to Adorama a vacuumed all their 220 stock.

Believe it or not I still have a few rolls of this now dated film left, perhaps a dozen rolls.

Cal
 
Hell yes, in the last years prices have risen quite a bit and B&W equalled Color film. Acros is quite expensive, Fuji in general is.

Thinking about it, quite probably color and B&W film was priced equally but nowadays it seems more exaggerated. Kodak's pricing went up rather recently but Ilford does keep moderate prices in Europe, and even seen lowered prices for HP5.

The Arista rebrands were something low priced not (as) available in Europe. And well, who could hoard it had a great strategy.
I was out of capital back then...
(Also hoarding Contaxes was a good thing)

E6 is steep. I'd like shooting more but I have to send out separately, for scant rolls not worth.

As I said many times, went to archive.org and saw the very same retailers 7 years ago. $5/roll is so cheap. It's the basic psychology principle of gradual change being unnoticed.

Strangely 2012 was 5 years ago just. There has been lots of change in film since then. Film becoming hip in some collectives has been good. Not for some camera prices.


Sent from my iPhone using Tapatalk
 
Hell yes, in the last years prices have risen quite a bit and B&W equalled Color film. Acros is quite expensive, Fuji in general is.

Thinking about it, quite probably color and B&W film was priced equally but nowadays it seems more exaggerated. Kodak's pricing went up rather recently but Ilford does keep moderate prices in Europe, and even seen lowered prices for HP5.

The Arista rebrands were something low priced not (as) available in Europe. And well, who could hoard it had a great strategy.
I was out of capital back then...
(Also hoarding Contaxes was a good thing)

E6 is steep. I'd like shooting more but I have to send out separately, for scant rolls not worth.

As I said many times, went to archive.org and saw the very same retailers 7 years ago. $5/roll is so cheap. It's the basic psychology principle of gradual change being unnoticed.

Strangely 2012 was 5 years ago just. There has been lots of change in film since then. Film becoming hip in some collectives has been good. Not for some camera prices.


Sent from my iPhone using Tapatalk

Jorde,

The cost of film and development is very important. I see wisdom in shooting lots of film has made me very consistant, and the fund-dem-mentals have become drilled home. I think there is an opportunity lost of not having shot film as if it cost nothing almost like shooting digital.

I still think there is plenty to learn from film, and even after shooting film for decades. The trick now is how to keep it cost feasible and sustainable. One trick for me is do B&W because I can process my own film. Controlling costs remains an imperative.

Cal
 
I've been adapting myself to new schedules. It's been a crazy 2 weeks that went from ready to move out in a day to having all plans fall over and unexpected stay-in town. At least now I am literally a "bankster". It's a new schedule to me and although they are quite OK (Out of home from 6AM to 5PM) I arrive quite tired. I expect that with routine this will wear off, but I haven't shot at all during the meantime and not even with the phone.

Where's Bob?

It's Saturday night and after dinner I just got to see a classified app. "Oh let's see Rolleis" I thought...
Scrolling I have a well used 3.5E Xenotar pops up for 200€ ($220).
😱

EDIT: As far as helpful and nice the seller was, the poor Rollei has a scratched up Xenotar with a strange "ring coating fog" that screams something weird, but not separation or fungus. Oil in the shutter. Then a missing feet, and a cracked focusing screen. The part that rotates to unlock the door opening is mangled and deformed.

https://www.dropbox.com/s/av66cwrxaxurmsl/thumbnail_IMG_5701.jpg?dl=0
https://www.dropbox.com/s/0gamdvk1g4suybc/thumbnail_IMG_5699.jpg?dl=0
https://www.dropbox.com/s/o4is1yt9xczbycg/thumbnail_IMG_5705.jpg?dl=0
It's bad to see a nice machine in that state!
Mark Twain would've said: "Buy RolleisThey're Not Making Any More".
I'd hope to rescue it, but it's much to do. Better off saving up for a nice one. Moot point changing the Xenar for a Xenotar in a poor state. A good thing about these banged UG machines is reckless use in tropical not so safe regions.

Again, I should spend more on film and processing than gear, but well. Cal, in retrospective 2010 was a great time for film. Courtesy of archive.org it was curious to see the 120-220 prices back then, cheap and with some exotic produce!

I would wait for a nicer one, I found one on KEH for about $339.00 they
listed it as inoperative so I went for it. When I received it it's pretty much
mint it's a 3.5F model 2, it looks like it was not used in a long time so
I took the front and sides off cleaned, relubed and so far it's really nice.
I'm sure with a few parts and another back it might be a nice camera, but
I would look at it before putting money down on it unless you already got
it.
 
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