plgplg
Member
I have recently re-discovered the joy of shooting with my M6TTL + 35mm 'lux (compared with my DSLR + heavy zoom lens). I have also recently been using two really impressive films, Ektar 100 and Portra 400. What I'm finding with both films, is that when exposed correctly they are absolutely stunning (great colour, very little grain, they scan well, etc). However a number of times recently I have been disappointed with select frames here and there and what I can only assume is that I am still not skilled at determining proper exposure with my M6TTL.
My tendency is to under-expose, particularly outdoors, in contrasty light. With Ektar 100, what happens it that contrast goes down, and I get this purple-reddish-blueish sort of colour cast that's almost impossible to remove in post processing. With Portra 400, what happens is that I get horrible grain, and shadows in particular are very ugly when scanning the negs... lots of speckly noise and very bad loss of detail (same thing happens incidentally when I end up underexposing Ilford XP2, another favourite film).
At the end of the day while I find I carry my M6 around with me more than I do my DSLR, and thus I tend to be prepared to capture "the moment" more often, and with less imposition on my subject, than with my DSLR, the risk of a certain non-trivial proportion of shots not turning out, because of underexposure, is getting annoying.
Which brings me to my main question for the forum: what are your strategies for determining exposure with your leica film rangefinder, in particular with Ektar 100 and/or Portra 400, (or XP2) and in particular, in bright, contrasty light?
What I have tried:
1. zooming in "with my feet" so that my subject occupies the viewfinder (and presumably the metering patch), essentially like a poor-man's spot meter
2. Metering off the palm of my hand and adding 1.5 stops to the exposure
3. metering off green grass, or the pavement, and adding or subtracting my best guess
4. using an incident meter, I have a sekonic L-398M (not easy for capturing the moment, and I find in bright sunlight it results in underexposure)
5. bracketing exposure (not easy when capturing fleeting moments, and a bit time-consuming with a manual-advance film camera)
At the end of the day an obvious answer to my question is to take more pictures and do more experiments and build up a knowledge base ... but in the meantime,
Does anyone else have any reliable tricks of the trade to share?
Thanks!
My tendency is to under-expose, particularly outdoors, in contrasty light. With Ektar 100, what happens it that contrast goes down, and I get this purple-reddish-blueish sort of colour cast that's almost impossible to remove in post processing. With Portra 400, what happens is that I get horrible grain, and shadows in particular are very ugly when scanning the negs... lots of speckly noise and very bad loss of detail (same thing happens incidentally when I end up underexposing Ilford XP2, another favourite film).
At the end of the day while I find I carry my M6 around with me more than I do my DSLR, and thus I tend to be prepared to capture "the moment" more often, and with less imposition on my subject, than with my DSLR, the risk of a certain non-trivial proportion of shots not turning out, because of underexposure, is getting annoying.
Which brings me to my main question for the forum: what are your strategies for determining exposure with your leica film rangefinder, in particular with Ektar 100 and/or Portra 400, (or XP2) and in particular, in bright, contrasty light?
What I have tried:
1. zooming in "with my feet" so that my subject occupies the viewfinder (and presumably the metering patch), essentially like a poor-man's spot meter
2. Metering off the palm of my hand and adding 1.5 stops to the exposure
3. metering off green grass, or the pavement, and adding or subtracting my best guess
4. using an incident meter, I have a sekonic L-398M (not easy for capturing the moment, and I find in bright sunlight it results in underexposure)
5. bracketing exposure (not easy when capturing fleeting moments, and a bit time-consuming with a manual-advance film camera)
At the end of the day an obvious answer to my question is to take more pictures and do more experiments and build up a knowledge base ... but in the meantime,
Does anyone else have any reliable tricks of the trade to share?
Thanks!