Seems he always had great endings or stunning/memorable sequences in his films. Einars mentions L'Eclisse, it's been a while but I remember the great eclipse sequence ( I actually forget whether that concluded the film), and the ending sequence in The Passenger, when the camera goes out the window and eventually back in, or the p.o.v. sequence in the park in Blow-up, or the courtyard sequence in L'Aventurra or...sigh. There is nothing comparable today, nor has there been since the seventies and eighties.
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