Monopods- Useful?

JMP

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I have never used a monopod and was wondering what others thought of them. They seem like they are designed with the word "compromise" in mind. A little lighter and smaller than tripods, but with stability in only one dimension (not sure if that last statement makes sense). Are they worth having? I suppose they're a step better than feet wide, braced elbows, exhale, and shoot. Or maybe in combination with this?

Thanks
 
Sorry, I should have done a search on this but forgot in my moment of contemplation. Anyway, I found some previous similar threads, but feel free to comment if you like.
 
I have a monopod but only find it useful in a limited way. It does make a great club against the would be criminal. Seriously though, I would pick a small tripod over a monopod any day.
 
I like mine. Yes, it is a compromise, but sometimes it is a reasonable one to make.

Some places won't allow tripods, citing public safety. But they will allow a monopod.

You can move faster from place to place with a monopod than with a tripod.

It stabilizes in more than one direction. It stops up-down motion, it stops lateral torsion of the camera (lens 'bobbing' up and down or 'dipping' with body of camera as axis), and it resists side-to-side motion bettern than a camera supported only by hand.

You can create a hasty tripod of a monopod by considering it a 'third leg' if you will. It is not a substitute for a tripod, but it is better than nothing.

A monopod can often also be used as a hiking staff, which can be nice, depending on where you are. There are even some walking staffs that serve dual purpose as a monopod.

A monopod makes a handy improvised weapon. Not that I've ever done that. I'm just saying.

You can also make some expedient camera-stabilizers by the old rope-and-bolt trick. You get a bolt that fits in your tripod bush on your camera, and you attach it to some thin rope or twine, something like that. Make a loop long enough so that you can step on one end of the loop and hold the camera at the other end at eye level. You lift up, the slack is taken out, and the camera is somewhat stable. Not as good as a monopod, way not better than a tripod, but better than nothing.

I don't use mine much - but I do use it.

Best Regards,

Bill Mattocks
 
Very usefull for concerts... I'd say generally very usefull down to about 1/2 sec or 1 sec exposures, but after that becomes very difficult. Oh and you cant use them for vertical shots, wich is one of the biggest irritations with the whole thing to me.
 
Goodyear said:
Add a small ballhead, smallest that will take your gear. AFAIK, all the big support manufacturers make pretty compact ballheads that pair very well with a monopod.


Thats a very good idea, I'd never considered that... I much prefer carrying around my monopod than a heavy tripod, that could be the perfect combination. thanks 🙂
 
What Mark said - use a ball head. Then angle the monopod forward; don't have it vertical. With the foot of the tripod forward and away from your feet, you and the monopod become a tripod - the monopod supplies the third leg. Tighten the ball head just enough so it provides frim resistance to movement, but still allows you to adjust the camera angle.
 
ChrisPlatt said:
My friend uses "a stick" to steady his Rolleiflex.

He uses it with 35mm, too.

Never shoots a blurry pic...

"Excelsior, you fathead!"
-Chris-


That's another good use for it - with a TLR. I have trouble keeping a TLR vertical: with the ball head removed and the monopod shortened and screwed directly to the base of the camera, the whole outfit is easier to keep vertically aligned, as the monopod acts a plumb-bob to hold the camera vertical.

I'm weird, huh? 🙂
 
I carry a monopod in the car as a just in case (I forget my tripod). When hill walking they are very usefull as a walking pole too, nice and light and I find it fits in with the RF small and light low light package. I've only iused it a few times but I'd have been lost without it. I fitted mine with a cheap small ball head and it was completely transformed. I whish I'd done that before, it would have got a lot more use.
 
Thanks for all the replies. It seems that the addition of a ball-head really improves a monopod's usability. I really like the Manfrotto ball-head on my tripod, especially after using a cheapie tripod which I could never seem to line up where I wanted.
 
I used mine and found it very useful when photographing dancers and marathon runners. They are great for using with a long lens when shutter speeds slow down. Now that I’m taking up photography again, it’s coming out for sure!

A couple of things though; make sure your ball head uses a lever, not a knob for locking down, so you can adjust the thing with cold fingers/gloves. You might also consider getting a twelve inch section of clear soft plastic tubing from the home center and put this on the upper section for a enhanced grip that keeps you digits off cold metal.

Also give a new one a real good shake before you buy it and see just how noisy it gets. Mine sounds like snare drum on Acid unless I pad/restrain the foldout legs in the base and yes, I use those too.

One of those elastic bands people use to keep hair in ponytails works well and won't fail like a rubber band.

The thing I like best about monopods is you can move very fast into a setup and out again. If you make a lot of noise you get self-conscious and won't use it as often as you might need.

Cheers
 
Good advice eli griggs, you can buy that water pipe foam insulation from the hardware store and put that on the upper section of the monopod (or tripod) it's ready slit so it's easy to fit. Use either tape or a cable tie to fix.
 
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