Ok, now you did it. I have seen that gallery before, and love it. Most of my shots are of people, and up close, so I think that I would have a short learning curve with this lens. I am learning that I see things closer to 40 or 50mm as a normal lens, and also wide. I think wide is the vision of the spectator. Observe and comprehend your environment.
I went over to pbase and looked at some Bessa R2 shots. Most I thumbnails I clicked on were of the 21, or the Leica 28/2.8. Since the Leica wide glass is out of my budget, I called and ordered the 21. I couldn't help myself. Oh well.
Oh, my! I am envious! I'd love to have one but with both 15mm and 25mm it's hard to justify and the budget is shot anyway. Have fun and get some good pics!
Just a note to say that my 21 has arrived. I also would like to throw in a plug for Photovillage in NYC. I called and ordered the lens Tuesday, around 6:30 pm or so, and it was waiting for me when I got home today, Thursday. It helps I am sure that I am so close to the big city, but I am very happy with the service I received. I hope to get some images with it as soon as tomorrow morning, if I can get up extra early that is.
My first impressions of the 21 finder is positive. Very bright and easy to see through. It is tough though to see the brightlines with my glasses on though. I will definately have to wear my contacts or be very careful composing images. The lens is tiny, just a little bigger than its rear cap really, and with the finder may I say my Bessa is quite handsome.
I like the focusing tab on the lens too. The focusing ring is a little stiff right now, so the tab will help there. With such a small lens I don't know how it would handle without the tab.
Rover, congrats on the CV 21/4! That's the WA I picked for my Leica CL and I really like it. At first it kinda overwhelmed me -- I wasn't used to anything that wide. Now I'm getting the feel for it and enjoy it very much.
I'm looking forward to seeing some of your new WA shots in the gallery!
Another advantage for the 21mm lens -- if you go digital with the Epson R-D1, the 1.6 multipler gives you the equivalent of a 33.6 mm lens. Just perfect for the RF format.
Framelines are for 28, 35, and 50mm lenses. Of course these have a narrower angle of view on this camera than on a 24x36mm film camera. Equivalency factor is 1.53
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