My first Nikon ONE

CameraQuest

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Camera collectors today simply have no idea how easy it is for newbies to identify rare cameras and lenses.

99.99% of the research has already been done. All they have to do is buy reference book and instant collector knowledge.

It was not always so. When I developed interest in Nikon rangefinders (watch out for that huge photography pun) there were literally no Nikon collector's books available in the English language. Maybe in Japan ... no idea. Neither was there the internet .. it didn't exist yet. Not to mention my pocket computer from Steve Jobs.

I had the best collector reference materials available then, MODERN PHOTOGRAPHY magazine and POPULAR PHOTOGRAPHY magazine ... popular monthly photography magazines available at every newstand in America. Our local RFF hero Jason Schneider was also undeveloped. His by line THE CAMERA COLLECTOR had not yet been written.

At that point in time the ONLY reference I found that there was an early Nikon even existing was the annual MODERN PHOTOGRAPHY listing of camera manufacturers. It was simply described cryptically as having a film counter from 0 to 40 -- instead of 0 to 36. WTF ?

Then one fine summer hot afternoon I visited a pawn shop in downtown Torrance CA.

They had this funny looking Nikon with advance knobs instead of levers. I had no idea what Nikon Model it was.

Even so that camera caught my attention. It looked NEW. Really new. It shined. It was perfect. No wear of any kind.

How much I asked. $100 the clerk said with no hesitation. I didn't have the cash to spend, but I did have a brand new MasterCard with a zero balance.

I offered $75 expecting the clerk to bargain down. I had bought from pawn shops before.

He turned me down. I almost bought it, but walked out as I literally had no idea in the world which model Nikon it was or how much it was worth.

That camera bothered me, as it still bothered me today. I returned the next week ready to buy.

It was not to be. The camera had sold.

Not sure who bought it, but I hope it was a person who I later became good friends with. By far the biggest camera buyer in Los Angeles at that point in time was the famous TAC - a professional camera buyer for Tokyo stores. All he did was pay more than locals would and then ship them off to Japan, taking advantage of a marketplace I did not understand.

I learned about Nikons and read Bob Rotoloni's newly published Nikon books and became one of the first ten members of his Nikon Historical Society, eventually I realized the camera I passed on for $100 was either a Nikon M or a Nikon One. That didn't bother me so much as the chance of it being a Nikon One was like winning the lottery.

Then one sad afternoon I was reading Bob's Nikon book about Nikon One's. He made the casual remark that only the early 100 or so Nikon One's were engraved on the bottom plate MADE IN OCCUPIED JAPAN in LARGE lettering.

To this day I have a crystal clear memory of that engraving with overly large lettering not so proudly proclaiming MADE IN OCCUPIED JAPAN.

I passed on an early like new Nikon ONE with 50/3.5 because I didn't want to take the chance.

If you find a collectible camera or lens that interests you, think twice before you walk away.....
 
Not only do buyers have easy access to increased information, but so too the sellers. Finding "deals" is increasingly difficult, because many of sellers now know what they have, and often that comes with inflated expectations. Deals still out there, but it involves a lot more looking, or looking in out of the way corners.
 
I never came across a Nikon 1. I did pick up a Nikon M w Sync and 5005 series 5cm F1.4 for $30 and a Nikon M no-Sync with 5cm F2 Sonnar for $470. Thanks to Jason- I knew to grab them.
 
Back in 1968 I already had purchased my first Nikon F. I was doing a lot of caving and the reflex was not a good fit for dragging around in cave mud. Did I know that Nikon made a rangefinder camera? a freind asked me. I did not know, but Camera 35 had an article on collecting old 35mm cameras that included a picture of a Nikon SP. I borrowed a copy of Wright's Nikon Manual and copied all the pages on camera models and lenses. I followed the Austin American-Stateman classifieds and soon picked up a Nikon S2 with a 50mm f2 Nikkor and the 135mm Nikkor for $125. That was the start. I used to spend hours in the University of Texas library going through old issues of Modern and Popular. Took notes and built a knowledge base that way. Never heard of Bob's book, and, of course, there was no internet. How things have changed.
 
I caught the tail end of the pre-internet shopping era: Ahh, the days when a person had to scour fine-print advertisements, and mail, fax or phone in an order, sometimes across several time zones. Can't say that I miss that era, but at the time, it felt like an adventure, and of course, I had nothing to compare it with.
 
I caught the tail end of the pre-internet shopping era: Ahh, the days when a person had to scour fine-print advertisements, and mail, fax or phone in an order, sometimes across several time zones. Can't say that I miss that era, but at the time, it felt like an adventure, and of course, I had nothing to compare it with.

Preinternet camera hunting was an exciting time,
defined by monthly Shutterbug issues, weekly local newspapers, and monthly camera shows.

Shutterbug Ads was the biggest, then literally private ads, roughly comparable to internet sales today in terms of importance. It could take a week from publishing on the east coast for them to arrive on the west coast.

Shutterbug Ads were of such importance that one Reno Nevada camera dealer bought Shutterbug where they were published and then had a local news stand Fed Ex his copy over night where he promptly bought all the bargains he could the night his copy arrived.

Even then, there were ways to play the system. KEH was a large seller even back then, but did not know collectible prices very well. KEH had the habit of separating lenses and bodies, even the lenses off black Nikon bodies. Once my friend called KEH about a bargain priced black Nikon S2 body only to find it had sold the day before. Then he asked if that 50/2 Nikkor listed in their ad was ALL black. YES was the reply. Black 50/2 Nikkor mint condition $100 from KEH.

And then there were the monthly camera shows. Eager collectors would aim to get into the shows when they opened at 8 AM -- not realizing all the under priced bargains were long gone sold to astute dealers who fed off the gullible newbie sellers, like sharks.
 
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Preinternet camera hunting was an exciting time,
defined by monthly Shutterbug issues, weekly local newspapers, and monthly camera shows.

Shutterbug Ads was the biggest, then literally private ads, roughly comparable to internet sales today in terms of importance. It could take a week from publishing on the east coast for them to arrive on the west coast.

Shutterbug Ads were of such importance that one Reno Nevada camera dealer bought Shutterbug where they were published and then had a local news stand Fed Ex his copy over night where he promptly bought all the bargains he could the night his copy arrived.

Even then, there were ways to play the system. KEH was a large seller even back then, but did not know collectible prices very well. KEH had the habit of separating lenses and bodies, even the lenses off black Nikon bodies. Once my friend called KEH about a bargain prices black Nikon S2 body only to find it had sold the day before. Then he asked if that 50/2 Nikkor listed in their ad was ALL black. YES was the reply. Black 50/2 Nikkor mint condition $100 from KEH.

And then there were the monthly camera shows. Eager collectors would aim to get into the shows when they opened at 8 AM -- not realizing all the under priced bargains were long gone sold to astute dealers who fed off the gullible newbie sellers, like sharks.
My Rolleicord I (the art deco version) came to me from KEH in supposedly inoperative condition for cheap enough that I bought it anyway. When I received it I found a 30+ year old roll of color negative film inside that wasn't advancing. Got that out and shot a roll of Tri-X. The slow speeds are slowwww, but the camera works 30 years on. I paid almost as much for the original lens cap.
 
Would you regard this as being a smaller, less desirable, MIOJ engraving? Condition looks closer to Ex++ to me.

View attachment 4871216
Yes, this is the smaller engraving, the bigger engraving also has black filled in.
But, this style engraving was not common among Nikon M
More Nikon M have engraving on the leather than the bottom.
This style engraving makes M more valuable but not so Nikon One.
Go figure.

Kiu
 
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