vincentbenoit
télémétrique argentique
I will ultimately be interested in a digital M, but it would really have to fit my requirements before I go and bite the bullet.
First, I wouldn't be willing to buy a whole new set of lenses, and I would want to keep using my film M bodies alsongside the digital one, so it would be important to me that my current M lenses be usable on the digital M. This entails that the latter should have framelines that match current 21mm, 28mm, 35mm and 50mm lenses, converted for the sensor dimensions; i.e. for a crop factor of 1.33x, the framelines should correspond to effective focal lengths of 28mm, 37mm, 46mm and 66mm (or close). I might be remotely interested in a digital-only 21/2.8 lens, but only if it is significantly more compact than the existing full-frame 21/2.8 Leica and Zeiss lenses.
The viewfinder should have sufficient eye relief for comfortable use with spectacles; equivalent to, or better than, the current 0.58x viewfinder. I have tried the japanese "minifier" that Peter mentioned and didn't like it at all, so unless the idea can be implemented in a significantly better way (which I doubt) I would only be interested in a low-magnification viewfinder body, ideally identical to the current 0.58x for consistency with the film bodies.
I only do black-and-white, so I'd be happy with a monochrome sensor if the benefits in terms of sensitivity, dynamic range and image quality are significant. If not, then I'd rather have the higher level of tonality control that a color sensor provides.
I would be interested in motorised shutter winding, but only if complements, rather than replaces, manual shutter rewind. I wouldn't like motorised shutter winding to be built into the body if this increases the camera dimensions and weight. An optional add-on would be the best option as far as I'm concerned.
The camera should retain the analog controls of the M7 as they are, with the addition of a judiciously positioned dial for ISO selection.
Shutter and meter should be as on the M7. A spot meter option would be nice but not essential, especially if it increases the cost of the camera. 1/1000 max shutter speed is fine with me as long as an iso 100 (or lower) sensitivity setting is available.
The LCD screen at the back should be kept small. It should be used for histogram display and access of basic menu functions only; image preview is not essential. The screen could even be monochrome if this can help bring down cost and energy consumption. The screen could be foldable a la R-D1, but not if the camera sturdiness is affected. There could be a sliding cover to protect / conceal the screen when not in use.
RAW mode should be usable without any detrimental effect on camera responsiveness. This just means a large buffer and fast data transfer to the memory card. I wouldn't mind if image parameters settings (white balance, file compression, etc) were only accessible via menus, as I would be shotting RAW exclusively.
In fact, what about a RAW only camera? This would be consistent with a true "digital negative" approach, the RAW files containing a "latent image" which would only be available after "development". If the sensor is a color sensor, there could be a monochrome-only RAW converting mode so that the images would never be seen in color, while the ability to combine R, G and B channels for tonality adjustments would be retained.
Essentially, what I would like is a camera that retains the feel, look and functionality of an M7, except that it would be fed memory cards rather than film, and that it would have per-image selectable ISO.
That's my take on it. I'm sure others will disagree. 😉
Vincent
First, I wouldn't be willing to buy a whole new set of lenses, and I would want to keep using my film M bodies alsongside the digital one, so it would be important to me that my current M lenses be usable on the digital M. This entails that the latter should have framelines that match current 21mm, 28mm, 35mm and 50mm lenses, converted for the sensor dimensions; i.e. for a crop factor of 1.33x, the framelines should correspond to effective focal lengths of 28mm, 37mm, 46mm and 66mm (or close). I might be remotely interested in a digital-only 21/2.8 lens, but only if it is significantly more compact than the existing full-frame 21/2.8 Leica and Zeiss lenses.
The viewfinder should have sufficient eye relief for comfortable use with spectacles; equivalent to, or better than, the current 0.58x viewfinder. I have tried the japanese "minifier" that Peter mentioned and didn't like it at all, so unless the idea can be implemented in a significantly better way (which I doubt) I would only be interested in a low-magnification viewfinder body, ideally identical to the current 0.58x for consistency with the film bodies.
I only do black-and-white, so I'd be happy with a monochrome sensor if the benefits in terms of sensitivity, dynamic range and image quality are significant. If not, then I'd rather have the higher level of tonality control that a color sensor provides.
I would be interested in motorised shutter winding, but only if complements, rather than replaces, manual shutter rewind. I wouldn't like motorised shutter winding to be built into the body if this increases the camera dimensions and weight. An optional add-on would be the best option as far as I'm concerned.
The camera should retain the analog controls of the M7 as they are, with the addition of a judiciously positioned dial for ISO selection.
Shutter and meter should be as on the M7. A spot meter option would be nice but not essential, especially if it increases the cost of the camera. 1/1000 max shutter speed is fine with me as long as an iso 100 (or lower) sensitivity setting is available.
The LCD screen at the back should be kept small. It should be used for histogram display and access of basic menu functions only; image preview is not essential. The screen could even be monochrome if this can help bring down cost and energy consumption. The screen could be foldable a la R-D1, but not if the camera sturdiness is affected. There could be a sliding cover to protect / conceal the screen when not in use.
RAW mode should be usable without any detrimental effect on camera responsiveness. This just means a large buffer and fast data transfer to the memory card. I wouldn't mind if image parameters settings (white balance, file compression, etc) were only accessible via menus, as I would be shotting RAW exclusively.
In fact, what about a RAW only camera? This would be consistent with a true "digital negative" approach, the RAW files containing a "latent image" which would only be available after "development". If the sensor is a color sensor, there could be a monochrome-only RAW converting mode so that the images would never be seen in color, while the ability to combine R, G and B channels for tonality adjustments would be retained.
Essentially, what I would like is a camera that retains the feel, look and functionality of an M7, except that it would be fed memory cards rather than film, and that it would have per-image selectable ISO.
That's my take on it. I'm sure others will disagree. 😉
Vincent