There is a great film on Jim Jones that came out in 2006 (
Jim Jones: the Life and Death of the People's Temple). The interviewees talk at length about how Jim Jones and his key followers dragged them into the jungle, killed politicians, and poisoned their family members. So far, as expected. But the sick thing about is it that when they are asked at the end what they think of Jonestown, they get this twinkle in their eyes as if it were the greatest and most noble social experiment ever.
Directly following practical image tests that reveal that the M9 is not a great low-light camera (for example), encoded phrases such as
The M9 is a camera for individualists, is an excellent tool for creative people.
make you feel a little like someone has been into the Kool-Aid (well, Jim Jones was a cheapskate and bought Flavor-Aid, but Leica is premium, right)? By the sheet size of the installed base, a greater number of eccentric people is using late model Nikon or Canon DSLRs than is using Leicas. And I'm not sure how a camera as limited in capabilities as a Leica digital M would in any way foster creativity. Discipline, maybe.
Having read most extant M8 and M9 reviews after using an M8 for three years, I get the impression that most review authors are worried about losing access to factory samples, don't work with the cameras long enough to get rubbed the wrong way with some of their eccentricities, or see positive results because they think they should (or believe they will be seen as "not getting it").
Dante