menos
Veteran
Wow! These look great. I've been shooting some Delta 3200 and Tmax 3200 lately, and of the two, I like the Tmax at 1600 most, but whenever I shoot either in daylight, the grain is out of control. I don't mind a bit of grain or even a lot of grain, but I feel like it's too much with those films. Your results looks excellent, though. What times are you using for the D76?
Thanks ;-)
The D-76 I don't do myself - I let it develop by my favorite photo lab in Shanghai - ELITE (formerly YiQian Imaging).
When I develop myself, I use TMax developer 1:1 with times according to the massivedevchart.
I tend, to meter TriX +1/3 to +2/3, when shooting in the night and ±0EV, when shooting @ ISO3200 during daylight (makes not much sense, to do, but I don't care, to swap rolls because I got 3200 in the camera in the day).
I basically shot all TX400 film @ 3200 this way.
Only recently, I tried a brick of Neopan400 (it is cheaper and people say things about different contrast and bright and black cutoff, so I am curious about this film @ 3200 as well).
If her left cheek in shadow is, what you are talking about (slightly mottled mushy grain - very difficult, to judge form the downsized pic), TX400, pushed will give you better results for such shots.
You can see, how pushed TX400 @3200 behaves in shadows in the crops of the Z - there is grain, of course, but it is very detailed, sharp, precise grain, which I like actually.
I tried a few rolls of TMax400, pushed to 3200 and it gave me similar mottled, blotchy shadows. I stopped using it and never touched Tmax again.
I like, how TX400 looks @ 3200. Neopan400 @3200 seems less contrasty with smoother tones, so I will use that for people and better lighted shots.
TX is great for the night, I find ;-)
Chris I loved those night shots with Tmax of yours!
The intimate portrait of your grandfather (?) though shows the grain, I didn't care much for with this film.






