Ororaro
Well-known
Agree! It was shot af f1.0. Very sharp in the center and the light falloff and field curvature just makes the bus look like it's floating.
Great, great lens! Needs some understanding and artistical vision to be most appreciated, IMO!
All the shots above have been shot in the last 3 months (all the montreal shots in the last 6 months, for that matter). This is not a lifelong work with a very deep analysis of the Noctilux and it doesn't have to be. Simply put, on every film there are some keeper shots thanks to this great lens alone and because it renders a scene in a unique way, be it f1.0 or f8 (yes, I use it at f8 whenever I can and it's super sharp ).
Great, great lens! Needs some understanding and artistical vision to be most appreciated, IMO!
All the shots above have been shot in the last 3 months (all the montreal shots in the last 6 months, for that matter). This is not a lifelong work with a very deep analysis of the Noctilux and it doesn't have to be. Simply put, on every film there are some keeper shots thanks to this great lens alone and because it renders a scene in a unique way, be it f1.0 or f8 (yes, I use it at f8 whenever I can and it's super sharp ).
Last edited: