Krosya
Konicaze
My own experience with the M-Hexanon 50mm f1.2 tells me that it is a very good lens. In fact, better than the 60mm f1.2 who many find outstanding.
SO, does it mean you want to sell your Hex 60/1.2 to me at a reasonable price? 😉
My own experience with the M-Hexanon 50mm f1.2 tells me that it is a very good lens. In fact, better than the 60mm f1.2 who many find outstanding.
I was looking for a Canon 1.2 over a year ago, and i thought $300 was too much. I've wanted a Noctilux as well. But I really can't justify dropping the money for such a thing. I would hardly use it.
I was speaking in terms of lens size. The performance credentials of Konica's 50 f/1.2 M-Hex are unimpeachable. But you simply can't make a 50 f/1.2 much smaller than that. You want compact, you're looking at f/1.4.My own experience with the M-Hexanon 50mm f1.2 tells me that it is a very good lens. In fact, better than the 60mm f1.2 who many find outstanding.
Yes the f.95, the 50/f1.2, the 35/f1.8 and the 28/f2.8 where not considered great lenses in their time, but one would never know that by reading the gushing rave ups found on the RFF.
There is the lemmings syndrome at work here big time.
SNIP
I heard nothing but negative comments about the Canon 50/1.2, but I bought one anyway, a nice minty copy, just to satisfy my curiosity. To my surprise, I find the lens to be equal to the pre-asph Summilux 50, particularly in the way it renders OOF areas.
The attached pic has some slight sharpening applied to the subject, but is otherwise unmodified. XP2, 1/30, f4.0
If anything, the lemming syndrome is working in the other direction. There's an unstated assumption on this forum than anything with "Leica" stamped on it is automatically "the best," and worth a premium many multiples of the very good, affordable alternatives. Having owned a few of the "ultimate" Leica lenses, including the 35 Aspherical Summilux, and the 24 Elmarit, I'd have to say that the performance advantages of those lenses are largely offset by the very nature of RF shooting: handheld, low-light, low shutter speed photography largely eliminates the small performance advantages that Leica lenses have, when they have them. And they don't always have them.
I heard nothing but negative comments about the Canon 50/1.2, but I bought one anyway, a nice minty copy, just to satisfy my curiosity. To my surprise, I find the lens to be equal to the pre-asph Summilux 50, particularly in the way it renders OOF areas.
The attached pic has some slight sharpening applied to the subject, but is otherwise unmodified. XP2, 1/30, f4.0
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I have to agree. Post something at f/1.2-f/2. Performance at f/4-f/5.6 is somewhat irrelevant in a thread discussing the pros/cons of paying for fast glass.
what is really your point with the picture?
None competes with Leica at max aperture!
I can always prove that Elmar performs well.. compared to your sample, kevin
what is really your point with the picture?
Leica excels at its max aperture for most lens. None competes with Leica at max aperture! Hence steeper price when they have to give everything down to edge of glass.
Hey, whaddaya know! A "Canon 50 1.2 is better then the overrated Noctilux" conversation! I knew it would be back sooner or later...