Calzone
Gear Whore #1
- Local time
- 11:19 AM
- Joined
- Nov 11, 2008
- Messages
- 16,873
- Location
- The Gateway To The Hudson Highlands
Smut: The guy I’m photographing tomorrow is the owner of two restaurants in Peekskill.
Cal
Cal
Good for you Dan.At Christmas I photographed Santa and about thirty different families, at the local lodge my Sons belong to. My way to brighten their Christmas, and I felt good about contibuting to their community. Passed the chip over and Son emailed everybody their XMAS photos. Used one of my Sony Nexes set to "Auto Everything". Worked very well! The Blad Back is super friendly and I love the files right out of the camera. I use digital to tune everything up and then shoot some film, sometimes with different cameras. Digital is a different mindset than shooting Analog for me. Everything about it is different. And I'm diggin' how convenient it is! Still photography though. I'm saving a fortune on Instant Film 🙂 If I use it enough it will pay for the CFV16.
Keep hefting those Leicas! Dust 'em off
About a year back, I bought a M42 to Leica M adapter so I could use my M42 wide angles on my M3 and M4. I've got a Russian 16mm, a 17mm Takumar and a 20mm Takumar and a Vivitar T4 21mm I bought for my Nikons. Since the depth of field is so deep with these, I saw no reason to spend more money on Leica lenses. Like you I just set them to the hyperfocal distance and fire away. I'm cheap also !I was going through my gear and was drooling over my cameras.
An unusual rig is my black MD-2 equiped with a Tom Abramson Rapidwinder, Tom Abramson Rapid Grip, 21 mm Ziess external viewfinder rigged with a 21/3.4 Leica Super Augulon “R” with hood.
I have the Leica “R” to “M” adapter that is part of my SL kit.
Setting the focus at 2 meters at F5.6 makes the camera a point and shoot. The Rapidwinder makes it a fast shooter. Not too big, kinda light in weight, and you can shoot a crazy amount of film with this.
Clean 21/3.4 Super Augulons in “M” mount kinda got expensive. They say the optics from the “M” and “R” versions are the same. I bought the “R” version because not only was it inexpensive, but it came with caps, hood and even the box.
This camera just looks cool. Sherry overhauled the MD2 body, so I am good to go.
Then pair this with a black SL2-MOT that is mucho clean that Sherry assembled from two SL2 bodies. One camera I would say was in street fighter condition that was all dented, but no blood stains. It was so heavily used that the lens mount needed replacement, but it had a perfect prism and the meter worked.
The other SL2 was a shelf queen in museum condition. I figure the meter failed early in its life (born in the mid-seventies) and languished there for decades. The other problem this camera had was the prism was desilvering.
So from two cameras I had Sherry build me one. Sherry also modded the power supply so I could use modern batteries instead of the mercury cells.
I love the viewfinder and the way oversized speed dial. This camera loves my 50 Lux-“R” E60 which I think renders a lot like a Noctilux, but of course without F1.0. Very pretty bokeh and OOF with that Leica look.
So these two cameras make a really nice kit of a 21 and a 50 FOV.
Something classic about shooting two old cameras that were refreshed with mucho classic lenses. Both render with signatures.
Awesome.
Cal