Bill Pierce
Well-known
One of the problems with using wide-angle M mount lenses on digital cameras with conventional APS-C sensors is that steeply angled edge rays going through the relatively “thick” sensor’s color layers can show something that resembles chromatic aberration and a general softness. This is not exactly news to all of us who use old lenses from our film Leicas on our shiny new digital cameras and see our treasured lenses delivering less than stellar performance.
When I’m killing time on the Internet, I’ll often run searches on this subject. Some say their Sonys, Panasonics, Fujis, e.t.c. have no problem with M mount wide angles. Some say the results are atrocious. My feeling, from the relatively few cameras I have tested, is that the off center lens performance can be pretty awful. A lot of times that doesn’t ruin the picture. A lot of times, it does. That makes me uncomfortable.
I rarely see my answer to the “M mount problem” - to use a Ricoh GXR with an M mount and a sensor whose peripheral cels are angled to do a better job with the angled edge rays of the wide-angle M lenses. In the fast changing world of digitals, it’s an “old” camera. There were rumors, almost from the moment it was introduced, that it, a 12 mg camera, would be replaced by a camera with 16mg. It doesn’t have the high ISO performance of recently introduced cameras. But, with short M lenses it still beats the competition when it come to big prints.
Why is this camera being ignored by us old dudes with M lenses? (Young dudes are allowed to criticize their elders in this thread.)
When I’m killing time on the Internet, I’ll often run searches on this subject. Some say their Sonys, Panasonics, Fujis, e.t.c. have no problem with M mount wide angles. Some say the results are atrocious. My feeling, from the relatively few cameras I have tested, is that the off center lens performance can be pretty awful. A lot of times that doesn’t ruin the picture. A lot of times, it does. That makes me uncomfortable.
I rarely see my answer to the “M mount problem” - to use a Ricoh GXR with an M mount and a sensor whose peripheral cels are angled to do a better job with the angled edge rays of the wide-angle M lenses. In the fast changing world of digitals, it’s an “old” camera. There were rumors, almost from the moment it was introduced, that it, a 12 mg camera, would be replaced by a camera with 16mg. It doesn’t have the high ISO performance of recently introduced cameras. But, with short M lenses it still beats the competition when it come to big prints.
Why is this camera being ignored by us old dudes with M lenses? (Young dudes are allowed to criticize their elders in this thread.)