There is (or was) an astonishingly low degree of standardization, not least because ultimate resolution figures are extremely subjective: they're a matter of edge definition as well as maximum and minimum contrast. Thus, 80 lp/mm with woolly edges can look less sharp than 60 lp/mm with higher edge contrast -- which is one reason you should always treat such figures with deep suspicion.
Perhaps surprisingly, I know more about film resolution than lens resolution, because I've spent more time talking to film manufacturers about it. Kodak and Ilford could never agree, for example. They were very consistent and pretty much interconvertible: they just weren't the same numbers. As far as I recall it was one of the East German universities -- Magdeburg, maybe -- that was reckoned to have the best testing protocols, i.e. the ones that no-one objected to too much.
As for aerial vs. on-film, the few lens manufacturers I've talked to agreed that aerial resolution is all but meaningless, because you can't take pictures on the air. With film, you've got film thickness, flatness and location, and with digital you have Nyquist limits. I know that Zeiss have achieved over 200 lp/mm on film, but they said it took 'focus bracketing', i.e. focusing; shooting, twisting the focus a fraction; shooting again; twisting a fraction more; shooting again; going back to the original mark; shooting again; twisting in the opposite direction...
You also have the mechanical accuracy of the focusing system (including mirror and screen, in a reflex) and the resolving power of the human eye (which is surprisingly variable, even when fully 'corrected').
In other words, with a fine micrometer mount and aerial focusing via a microscope, you can get ridiculously high lp/mm figures, but they're meaningless in the real world. Which is precisely the same as at least 90% of the other things in photography (or indeed, anything else) that are discussed to death on the internet.
The original figures given for the Micro Nikkor are, therefore, of very limited value and are valid only for the R.G. Lewis testing protocol, i.e with a target of given contrast (higher contrast targets give more lp/mm, for obvious reasons) and for a given film which is almost certainly no longer in production. They are of far more interest as an historical document than as any real evidence of the resolving power of the lens. Assuming the lens is still as good today as it was when it was tested, I would be astonished if I couldn't get 125 lp/mm on the right film. But what would it mean?
Cheers,
R.