This is all great. I'm a Nikon guy and do most of my work with a D3.
Lately though, I've been using an X100 and a GX1 with a 14 on it. (The D3 is still the workhorse. Hands down.)
Wow. Wow. WOW!
The X100 is nearly as good as the Nikon in poor light and beats everything in the skin tone department. The GX1 is fast light and in good light, hell, even not so good light, very, very good.
BUT CAN SOMEBODY HELP THEM OUT WITH THE COLORSPACE?!?!?! PLEEEZE!!
My iPhone has a better colorspace than just about anything. Blown highlights, lousy noisy, no dynamic range, but a great colorspace. My little Canon S95-something has a better colourspace....
If I was to start all over again, I'd probably Canon - and this is the problem for me: reds. Canon and the iPhone seem to be the only folks who can get the reds right straight-out-of-the-camera.
Please don't tell me you can do it in post. Yeah, you can. Of course you can. But if it can be done in post, it can be done in camera.
My frustration with Panasonic, and Fuji, and Sony, is the way-too-blue cast. I've tweaked and torqued. Sometimes it works. Mostly it doesn't. Nikon and Canon really get color as a whole. They have very different approaches, but they get it. Fuji gets skin tones and really has a hard time with red. In fact the entire color thing with Fuji, except the skin tones, is meh. Panasonic has a great handling camera with stellar lenses (most of them) and meh color. Sony has a great body/sensor thing going and nothing happening with lenses and meh color.
My ancient iPhone 3GS has a creepy little sensor and a crummy lens and great color.
Can we get those guys to write the firmware/DSP for Panasonic?