Matthew
Established
In regards to the press photographer vs. amateur photographer debate: as I understand there is absolutely no distinction made between a professional photographer and an amateur photographer in relation to copyright and whether they need to get releases signed. At least in the United States having a press pass doesn't grant you any additional legal rights, it only eases things with authorities if you are photographing in some event where the general public's access may be limited. The issue is not who takes a photograph but what the photograph is ultimately used for. Without a signed release the photograph cannot be used for commercial advertising purposes. It certainly can be used for editorial purposes, be it in a newspaper, news magazine, etc. Many magazines that are not strictly journalistic in nature (travel, lifestyle, etc.) want you to get releases to protect them but it the strictest sense they do not have to be signed. The other area that releases are generally not needed for is fine art. But again, it sometimes may be wise to get one signed. Just because you don't need a release for a particular use doesn't mean someone won't try to sue you (erroneously) and you'll have to spend a good deal of money proving you were right in the first place.
Someone mentioned a TV show clearing logos in the background of shots: what has to be cleared for motion picture use versus still use is a bit different in practice. It pretty much comes down to money, or potential money. People perceive a film as having a much greater potential to make money (even a documentary which if it's lucky will break even...) so they are more likely to go after a copyrighted image in the background. And so everything gets cleared.
Even if a building is copyrighted (a dubious proposition in my opinion despite the current law...) you probably can't be stopped from photographing the building. What you do with the images is where the copyright law comes in. If I want to make a print and hang it on my wall, that's fine, but selling the image to others (or even just giving it away) and I may have a problem. I can draw Coca Cola logos, or Marge Simpson, or retype a Stephen King novel verbatim in the privacy of my own home (or in coffee shop or public park) all I want. The problem comes when I release them to the world. I could even draw that building, or its plans, either to study how the building goes together or simply because I like doing it to practice my drawing technique. The problem would be if I them built a similar building that was too alike to the original. Tinkering with software is another issue, but I'll stop there before I get more wound up.
Copyright law has become a sticky stinking morass.
Someone mentioned a TV show clearing logos in the background of shots: what has to be cleared for motion picture use versus still use is a bit different in practice. It pretty much comes down to money, or potential money. People perceive a film as having a much greater potential to make money (even a documentary which if it's lucky will break even...) so they are more likely to go after a copyrighted image in the background. And so everything gets cleared.
Even if a building is copyrighted (a dubious proposition in my opinion despite the current law...) you probably can't be stopped from photographing the building. What you do with the images is where the copyright law comes in. If I want to make a print and hang it on my wall, that's fine, but selling the image to others (or even just giving it away) and I may have a problem. I can draw Coca Cola logos, or Marge Simpson, or retype a Stephen King novel verbatim in the privacy of my own home (or in coffee shop or public park) all I want. The problem comes when I release them to the world. I could even draw that building, or its plans, either to study how the building goes together or simply because I like doing it to practice my drawing technique. The problem would be if I them built a similar building that was too alike to the original. Tinkering with software is another issue, but I'll stop there before I get more wound up.
Copyright law has become a sticky stinking morass.