Nokton48
Veteran
Makiflex 4x5 SHANGHAI 100 by Nokton48, on FlickrPlaying with the 4x5 Skier Box. Sony Nex C3 50mm Zeiss Touit Plaubel Makiflex Shanghai 100 4x5 Makiflex SK Grimes One Off Graphic Holder Back. Replenished HC110B Replenished Unicolor 8x10 Print Drum. Full Sun Exposure Test.
Nokton48
Veteran
Plaubel Makiflex 4x5 Shanghai 100 D23 Combiplan Octobox 150 by Nokton48, on FlickrPlaubel Makiflex 4x5 Shanghai D23 Combiplan. Broncolor 1600J Octobox 150 8x10 Arista #2 RC Omega DII laser aligned 180mm Rodagon Dektol 1:2. Print copied Sony Nex 7 30mm Nex Macro.
Nokton48
Veteran
Dawes Cedar Swamp 4x5 Norma 90mm SA Efke 100 PMK+ Ektalure Ektanol by Nokton48, on FlickrDawes Cedar Swamp 4x5 Norma 90mm F8 Super Angulon Efke 100 PMK+ Ektalure R Paper Omega DII 180mm Black Rodagon Ektanol Developer. 8x10 print photographed Minolta SRT Copy Stand Sony Nex-7 Zeiss 50mm F2.8 Touit lens. One of my first digitized fibre prints.
trix4ever
Well-known
Linhof Super Technika iii, 90mm Angulon. Tri-x in Rodinal
Freakscene
Obscure member
Your London at night series is lovely.
Linhof Super Technika iii, 90mm Angulon. Tri-x in Rodinal
trix4ever
Well-known
I actually had a book project going and just before it was completed came;-
London After Dark: Photographs by Alan Delaney
Many of his images matched my locations, he also used large format b+w film, kind of knocked the stuffing out of me for a while.
Funnily enough he also moved to Australia and produces some lovely mono landscapes.
Some of the best times of my life, wandering round Central London with my Linhof on a tripod, in the early hours of the morning. I had a family and a job too, god only knows how I held it all together.
Glad you like the series, I've lots more to put up, just need to catch up with the scanning.
Freakscene
Obscure member
Wow. I was busily photographing Prague on 13x18cm in the 1990s when Jan Reich, a legendary figure in post-WWII Czech photography published ‘Praha’ (Prague) a collection of 40+ years worth of photos of Prague. His photos were mostly taken before the Velvet Revolution, and very much better than mine in respect of looking stylistically consistent and demonstrating the ghostly, decaying grandeur I was attempting to capture. Somewhere I still have ‘my’ 40 or so best photos from then. But I, like Prague herself, have moved on.
Sometimes these things take on a life of their own. I’m glad you managed it despite the difficulties.