Graham Line
Well-known
The Elmar-C and M-Rokkor 90/4 lenses are excellent and can be found for $200-$300. Imaging at f4 is fine for portraiture.
awilder said:I'm sure a 90 would bring up the 85 frame on the ZM.
CJP6008 said:The Rollei 80 2.8 (as released in limited numbers with the 35RF) came about, so the story goes, because Rollei had a box of elements for the TLR knocking about and they got used in that lens.
julianphotoart said:The ZI web-site says that the 85mm Sonnar is coming out the "end of 2005". Does anyone know what that actually means? I have not been able to find any definitive answer.
CJP6008 said:It strikes me as slightly odd that Zeiss did not make their lens a 90mm and the frames etc likewise - just from a marketing point of view. By opting for the M mount they clearly accept that their lenses will go on other bodies and other lenses on their bodies. From what we hear the Ikon is a good machine and a decent option for a second body for Leica users or a step up for CV users. It just might cost them a few sales amongst those who favour the longer focal lengths.
On a similar note, does anyone know what frame the CV 40mm Nokton would bring up on the Ikon or an M6/7?
And this is consistent with Leica practice as well, since on the M both 28 & 90 frames appear together... 35/135 and 50/75 being the other two pairings.Huck Finn said:On the ZI, the 28, the widest shares a frame with the 85, the narrowest. So maybe the choice of 85 was to provide a telephoto option without cluttering the viewfinder. Otherwise, they would probably have had to include both 75 & 90.
I would thinks so too, as this is what the 40 Summicron & 40 Rokkor do. (But on the CLE a 35mm lens brings up its 28-only framelines which is the default, same for the 28 Rokkor or indeed no lens at all, and putting on a non-Rokkor 28mm adds the 90 frames along with the 28!)BTW, I believe that the 40 Nokton brings up the 50/75 framelines on the M6.
Doug said:I would thinks so too, as this is what the 40 Summicron & 40 Rokkor do.
Huck Finn said:I think that a much stranger decision was for Konica to build the Hexar RF with a magnification of 0.6 & to then include 135 framelines. Even Leica drops its 135 frame with the .58 magnification because it's next to impossible to focus a lens that long with magnification this low & framelines so tiny.