Portra 400, wide open (1.8 or 2, I didn't write down exposure):
CVTest-33 by Drew Saunders, on Flickr
Also on Portra 400, also wide open, to show the near/far OOF rendering:
CVTest-34 by Drew Saunders, on Flickr
And with 20 year old expired "Gold 200" film, which I shot at 100, which explains the funky colors. Not quite wide open:
04-03-13-3 by Drew Saunders, on Flickr
I've shot it with an adaptor on my Fuji X-E1 and it works quite well as a longer portrait lens on that camera.
Just received another copy of the OM Zuiko f2/85mm. This one an early version ( silver nose ).
It's a beautiful lens and a decent image maker too.
Some Chroma issues to clean up on digital until f4. I think this is best B+W film lens. 🙂
First the Voigtlander Heliar 75/2.5 (though on an M8 here, so acting like a 90mm)
Second, the Summarit 75
Lastly the Summilux 75
I kept the Summarit and sold the Heliar, simply because the Summarit focuses more quickly and easily - it's very smooth. Optically, I couldn't see anything to differentiate them. The Summilux is big, heavy and slow to focus with that looong-throw focussing ring. Not to mention fussy about exact focus wide open. But it is worth it for some occasions! I think this one is my best example of the Summilux:
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.