Post Film Images Here

[Erik van Straten]

For Pan.

gelatin silver print (heliar classic 50mm f1.5) leica mp

Erik.

 

[DwF]

Parkin it at Sunset






Portra 800 -Rolleiflex 35F Planar​

 

[p.giannakis]

Thank you Pan! sorry to hear about covid, wishing you good health and going through this without complications.

Thank you David 🙂

Parkin it at Sunset

Portra 800 -Rolleiflex 35F Planar​

Beautiful colours in this one

 

[p.giannakis]

For Pan.

gelatin silver print (heliar classic 50mm f1.5) leica mp

Erik.

Thank you Erik for your thoughts. Lovely picture of the street artists.

 

[p.giannakis]

Jan 2021
Minolta 700si
Ilford Delta 400 in HC110

 

[Godfrey]

Jan 2021
Minolta 700si
Ilford Delta 400 in HC110
...

I really like this one! Truly marvelous! Bravo!

G

 

[DwF]

Thanks Pan and congrats on your snow bound traveler! Very nice.

David

 

[p.giannakis]

I really like this one! Truly marvelous! Bravo!

G

Thank you Godfrey !

 

[p.giannakis]

Thanks Pan and congrats on your snow bound traveler! Very nice.

David

Thank you David ! 🙂

 

[Derek Leath]

Leica M6
by
Derek Leath,
on Flickr
1958 Rigid Summicron
Kentmere 100, Df96 Monobath 6 mins

 

[Joao]

Zenit E with Industar 61LZ.
Fomapan 200 in HC-110

SWING
Background is a mural with manta-rays .
Swing by João Freitas, on Flickr

GLASS
Still life 2 by João Freitas, on Flickr

EXTREME CONTRAST
Extreme contrast by João Freitas, on Flickr
Regards
Joao

 

[Evergreen States]

For Pan.

gelatin silver print (heliar classic 50mm f1.5) leica mp

Erik.

Erik, it looks like you apply a very gentle tone to your prints, sometimes warm, sometimes cool.

 

[Erik van Straten]

This tone is from Flickr, in fact Flickr has a number of tools to edit the photo's. You can combine "warm" and "cool" tones too. The idea of this is not new. I have a book by Cartier-Bresson from 1980; some pictures in the book have a cool tone and others a warm tone, but very light. It was only recently that I noticed this. The book is "Henri Cartier-Bresson: Photographer" by Robert Delpire (1980). The toning is extremely subtle, but despite that it affects the mood of the photo. I was surprised when I saw this possibility in Flickr too. Very nice that you noticed this.

Erik.

 

[Erik van Straten]

gelatin silver print (elmar 50mm f3.5) leica I (1928)

This is a toning I like very much.

Erik.

 

[Hans Berkhout]

Delphi by hans p berkhout, on Flickr

Leica III, Summar 50/2.0 Adox KB17

Pan I like your quiet snow scene, the lonely traveler

Get better soon!

 

[Erik van Straten]

gelatin silver print (elmar 50mm f3.5) leica 1 (1930)

Erik.

 

[Derek Leath]

This was taken with and Exakta VX and an Angénieux retrofocus 28mm
Kentmere 100 Df96


ExaktaVX_Angenieux
by
Derek Leath,
on Flickr

 

[Disappointed_Horse]

gelatin silver print (heliar 50mm f1.5) leica mp

Erik.

That is a fantastic image Erik. This image really shows the difference between subject separation by using large aperture and shallow depth of field compared to three-dimensional rendering of depth by the lens at a moderate aperture. Lovely!

 

[DwF]

HP5 Plus, in Rodinal 1:50 for 12mins

​

I really messed up on my processing. I'd had a couple drinks at dinner then came home and somehow, while loading film to tank-reel, I nipped the start of the leader beyond where the film begins, and then let the remaining leader roll with the film! .....I salvaged this neg, but barely.

 

[Erik van Straten]

That is a fantastic image Erik. This image really shows the difference between subject separation by using large aperture and shallow depth of field compared to three-dimensional rendering of depth by the lens at a moderate aperture. Lovely!

Thank you, AAlfano! It is a surprising lens, a keeper.

Erik.