Haigh
Gary Haigh
One pro told me that once he used to just send his work all to a colour lab but now clients expect a quick turn around and many many images from one session and he ends up working in front of a computer for hours on at a time. He does not enjoy it.
I, on the other hand am an amateur so I am under no pressure to spend hours on my digital colour shots.
I, on the other hand am an amateur so I am under no pressure to spend hours on my digital colour shots.
Fraser
Well-known
As a working pro myself not weddings just news so I don't shoot that much I find that once the job is done I have to immediately start editing etc or I will find the job tedious.
If I'm on a tight deadline I set my cameras drive to slow (Canon Mk3s) or use my 5ds so I don't shoot too much.
Good luck, I know you want to do the best job you can but sometimes pay=your time/effort.
If I'm on a tight deadline I set my cameras drive to slow (Canon Mk3s) or use my 5ds so I don't shoot too much.
Good luck, I know you want to do the best job you can but sometimes pay=your time/effort.
Soothsayerman
Established
I don't like doing it either. For some reason, if it's work someone is paying me for, it's just not as fun and I have to sit down and force myself to do it. I used to put it off, but now I do it as quickly as possible to get it over with and out of my sight.
Peter^
Well-known
Keith,
William Eggleston once wrote that he only ever takes one shot of a motif. That way he doesn't have to choose which is the best.
The digital age has has led to a massive increase in the number pictures we take and have to deal with. But are we producing better pictures?
William Eggleston once wrote that he only ever takes one shot of a motif. That way he doesn't have to choose which is the best.
The digital age has has led to a massive increase in the number pictures we take and have to deal with. But are we producing better pictures?