I shot three rolls during the session that this shot came from. Two of those were processed in my Diafine, which turned out to be bad and butchered the film. (Moldy/musty smelling Step A and it way underexposed the film and left blotches). So I did this final roll in some D76. It was shot at box speed and left in the D76 for recommended time but I think it was a little over cooked. Still, I liked the roll's results and this shot.
I had originally placed the bike in the middle of the door and yellow bollards, but the window on the far right was partially in the frame which threw off the feel. If I went back any futher, the sign above showed the bike got lost in the background a little. So I moved the bike over just enough so it was still against the door and not blocking the right-most bollard which allowed the contrasty window to also be in the shot and got this out of it.
My dad cutting out the back of his next violin.
HP5+ @1600 in Caffenol C-L, Jupiter-3.
There were some problems on this roll from the stand-development (still working out the best procedure), but luckily the best-composed shot had no issues.
Hello! I have been a member for sometime but never posted anything here. I shoot with a Yashica GSN and a Leica Digilux 2. Attached is a happy accident with the Yashica on its very second roll. I believe I almost see a strange native Indian face in it but I may be wrong.
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