While I like shooting walls covered with graffiti and tags and patterns and textures that function as a kind of large-scale public abstraction, I tend to see photographic abstraction distinguish along the continuum of representation. Rather than step back from a landscape, get in closer to isolate patterns so that they are less immediately recognizable. Make the familiar strange, help the viewer forget the names of the things s/he sees in order to better see light and shadow, geometrical dynamics, overlaid patterns, etc.
interesting interpretations of 'abstract'...
there is one image that i could see me taking and i think i might have...
thanks to all who participated in this...i was very curious and had a greater need to talk about/see some images rather than talk gear.
Beautiful image with wonderful grain! I imagine if Sugimoto shot his seascapes on grainy slide rather than large formate we might have a similar result.
If Rothko had had those colors in his palette he might have died a happy man. But I'm glad that Peter ain't Rothko, and the sea and sky are these colors.
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