oldwino
Well-known
And a couple from the same camera, but with the Nikkor 50/2 collapsible LTM (lovely lens).
Animals of Carcassonne by Henry Beckmeyer, on Flickr
Collioure Red. by Henry Beckmeyer, on Flickr
Animals of Carcassonne by Henry Beckmeyer, on FlickrCollioure Red. by Henry Beckmeyer, on Flickr
Bingley
Veteran
Here are two fast snaps taken several years ago with my IIIc and a Summitar...
Raadhuis Straat by Steve Macfarlane, on Flickr
The shoppers by Steve Macfarlane, on Flickr
Raadhuis Straat by Steve Macfarlane, on FlickrThe shoppers by Steve Macfarlane, on Flickr
Bingley
Veteran
Two more with a IIIc and a Canon 35mm f2.0:
Nwe. Speigel Straat by Steve Macfarlane, on Flickr
In transit by Steve Macfarlane, on Flickr
Nwe. Speigel Straat by Steve Macfarlane, on FlickrIn transit by Steve Macfarlane, on Flickr
Dralowid
Michael
One from a very long time ago ('60s)
Scan-130330-0038 by dralowid, on Flickr
and one taken more recently. Both with the same camera (III) and a Summar, but you'd guess that from the shape of the reflections wouldn't you...
CNV00017 by dralowid, on Flickr
Scan-130330-0038 by dralowid, on Flickrand one taken more recently. Both with the same camera (III) and a Summar, but you'd guess that from the shape of the reflections wouldn't you...
CNV00017 by dralowid, on Flickr
AndersG
Well-known
This one might count, maybe (regarding both the camera type and whatever quickness):
February 2014, Zorki and Jupiter-12 with Kodak Tri-X 400TX at 1/25 sec and f/2.8.
Developed in Calbe R09 1+50, 14min @ 22 degC -> ~17 degC in the room.
February 2014, Zorki and Jupiter-12 with Kodak Tri-X 400TX at 1/25 sec and f/2.8.
Developed in Calbe R09 1+50, 14min @ 22 degC -> ~17 degC in the room.
Glenn2
Well-known
This one has been a favourite of mine. Shot at Elephanta Island near Bombay in 1972 with a 3g and 5cm Elmar.
A woman had stopped to rest and put down her load. Her unusual posture standing on one leg caught my eye.
A woman had stopped to rest and put down her load. Her unusual posture standing on one leg caught my eye.
Erik van Straten
Veteran
Strange enough they were in a hurry so I had to be fast.
gelatine silver print (summar) leica III
Erik.
gelatine silver print (summar) leica III
Erik.
Erik van Straten
Veteran
The departure.
gelatine silver print (elmar f3.5/50mm) leica I, model a (1928)
Erik.
gelatine silver print (elmar f3.5/50mm) leica I, model a (1928)
Erik.
Erik van Straten
Veteran
gelatine silver print (elmar f3.5/50mm) leica I, model a (1928)
Erik.
Erik.
p.giannakis
Pan Giannakis
This one is from the first roll of film i shot with the (then new to me) IIc
Film is a Kodak BW400CN
Film is a Kodak BW400CN
Richard G
Veteran
Richard G
Veteran
This is truly a snapshot. In two ways. "Get icing sugar and vanilla essence. And don't take a camera." So the only one I could was the Leica II with collapsed Elmar. I stopped 8 seconds longer than I should have to get this as I left the hood off for the first one. The supermarket is on the other side of the street.
F1000012.jpg by Richard, on Flickr
F1000012.jpg by Richard, on Flickr
Richard G
Veteran
Hosier Lane in Melbourne, heavily graffitied, draws a few photographers.
F1000030.jpg by Richard, on Flickr
F1000030.jpg by Richard, on Flickr
Richard G
Veteran
Richard G
Veteran
Colour
This 1932 lens has a lot of haze. It adds to this shot I reckon, snapped from a window at work.
Nickel Elmar 50 3.5 on Leica II Ektar 100 by Richard, on Flickr
This 1932 lens has a lot of haze. It adds to this shot I reckon, snapped from a window at work.
Nickel Elmar 50 3.5 on Leica II Ektar 100 by Richard, on Flickr
WJJ3
Well-known
A lot of cool snaps in this thread.
A shot a grabbed with my Leica 1f several years back in Hawaii
A shot a grabbed with my Leica 1f several years back in Hawaii
SimonPJ
Well-known
Hard to pick a favourite. This one might be it. IIIc collapsible Summicron 5cm BW400CN
Wonderful tones
Particular
a.k.a. CNNY, disassembler
I have used my IIIc a lot while riding my bike. I wear it on a short strap high on my chest, and I can easily bring it to my eye with one hand while I am passing a subject. It is a perfect camera for this because it is light, and all the controls can be seen from above and adjusted with one hand by feel. I prefocus usually 5m or 10m, and snap once I feel I have hit the critical distance. These shots are all shot while rolling with a jupiter 8.
