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Lovely rain shot, Pan.

gelatin silver print (elmar 50mm f3.5) leica I

Erik.

51967546646_b94a39c97f_b.jpg
 
Both really nice, Jim. The skin tone processing on the second strickes me as particularly lovely.

It's been a long time since I've used a AF SLR, but I'm now considering one. Maybe an F100.

John


Dot by Jim Fischer, on Flickr

Jenny by Jim Fischer, on Flickr

two unrelated images. Nikon F6, Sigma 35mm f/1.4 Art, Kodak T-Max 400, Xtol 1:1 (admittedly, this is a very non-rangefinder set-up).
 
Both really nice, Jim. The skin tone processing on the second strickes me as particularly lovely.

It's been a long time since I've used a AF SLR, but I'm now considering one. Maybe an F100.

John

Be mindful of the broken film door latch issue. Plenty of F100 with broken latches on ebay.
 
Thank you Pan. Recently I got a tablet so I rework my scans a bit. "Digital" means that you get different images on different devices.

gelatin silver print (elmar 50mm f3.5) leica I (1930)

Erik.

48010047261_b075db495d_b.jpg
 
Both really nice, Jim. The skin tone processing on the second strickes me as particularly lovely.

It's been a long time since I've used a AF SLR, but I'm now considering one. Maybe an F100.

John

F100’s are such great cameras…especially for the price. I’d use mine, but the F6 is a bit nicer.

Sigma Art lenses (at least the earlier ones, without electronic diaphragms) can work really well on ‘advanced’ Nikon film bodies. The autofocus on the 35 is snappy and quiet. It’s very sharp. The rendering is mostly pleasant (though, it struggles at mid-distances like most fast 35’s). It can be had relatively cheaply on the used market.
 
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