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Something happened. Crazy colors at an abandoned glass plant in Pennsylvania. I've been using up old film that I've had laying around. I've gotten some good and some interesting results with my home brew C-41, but nothing remotely this wild.

I decided I probably liked it better than if it came out perfect. No filters except time and maybe funky development.




M4-2 with 50mm f2 Zeiss Opton Sonnar. 1990's Fuji Press 400 from before the local paper went digital. Dignan split bath C41. Camera scan converted in VueScan.
 
Leica M3/Summicron 50mm v4/TMY400-2/AdoxMCC110

Erik.

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Thanks to the recent post by Chris Crawford explaining how to overexpose and underdevelop properly. I never really understood the mantra and was always afraid of ruining a roll by guessing on what to do. I think it's improved the tonality of my images greatly.
 
tbhv55 said:
That's nice, cjm.

I have the Skopar 35, and some HP5 - but sadly, there are no mountains like that, in our neck of the woods! :D
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Thank you! I had to drive 9+ hours to get there (Glacier Point) so not exactly close to me either. ;)
 
cjm said:
Thank you! I had to drive 9+ hours to get there (Glacier Point) so not exactly close to me either. ;)
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Ah, I see... an incorrect presumption, on my part! :eek:

The nearest mountains, for me, are about five hours drive, in a Northerly direction - and they're (technically, at least) in another country. A journey in any other direction is likely, sooner or later, to involve the use of a boat! :D (We operate on a somewhat smaller scale, here!)
 
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