Post Your Film Images Here

[Deleted member 65559]

IMG_0782 by , on Flickr
Leica M6/ 50mm Noctilux / print on Ilford Warmtone FB

 

[Deleted member 65559]

IMG_0785 by , on Flickr
Dagor 8 1/4, Kodak TMY2 5x7, print on Foma Variant lll FB

 

[Mark C]

Something happened. Crazy colors at an abandoned glass plant in Pennsylvania. I've been using up old film that I've had laying around. I've gotten some good and some interesting results with my home brew C-41, but nothing remotely this wild.

I decided I probably liked it better than if it came out perfect. No filters except time and maybe funky development.




M4-2 with 50mm f2 Zeiss Opton Sonnar. 1990's Fuji Press 400 from before the local paper went digital. Dignan split bath C41. Camera scan converted in VueScan.

 

[Erik van Straten]

Leica M3/Summicron 50mm v4/TMY400-2/AdoxMCC110

Erik.

 

[p.giannakis]

Very nice and simple composition Erik.

 

[tbhv55]

IMG_0782 by , on Flickr
Leica M6/ 50mm Noctilux / print on Ilford Warmtone FB

Great image, Deardorff38 - and excellent toning!

 

[tbhv55]

un soir by JM__, on Flickr

Velvia 50 - M2-R - 35v Summicron 8 elements

Beautifully calm image, jmanivelle!

 

[tbhv55]

Leica M3/Summicron 50mm v4/TMY400-2/AdoxMCC110

Erik.

Erik, I agree with Pan's comment (post #1262). 🙂

 

[jmanivelle]

Beautifully calm image, jmanivelle!

Thank you !

 

[DHK]

Thanks to the recent post by Chris Crawford explaining how to overexpose and underdevelop properly. I never really understood the mantra and was always afraid of ruining a roll by guessing on what to do. I think it's improved the tonality of my images greatly.

 

[tbhv55]

I think it's improved the tonality of my images greatly.

Well, I don't know what your images were like before you acted on Chris's advice, but I like the results you're getting now! Delightful tones. 🙂

 

[cjm]

M2, Skopar 35, HP5, Diafine:

 

[CharlesDAMorgan]

Well, I don't know what your images were like before you acted on Chris's advice, but I like the results you're getting now! Delightful tones. 🙂

Indeed - absolutely excellent. I've had a lot of fun doing that too!

 

[DHK]

Well, I don't know what your images were like before you acted on Chris's advice, but I like the results you're getting now! Delightful tones. 🙂

Thanks. Now to work on his other post about purpose...

 

[tbhv55]

Thanks. Now to work on his other post about purpose...

Hmmm..... I think perhaps I should read that one, too! 😀

 

[tbhv55]

Indeed - absolutely excellent. I've had a lot of fun doing that too!

Yes... Chris certainly does some first-rate tutorials, on a wide range of topics.

 

[tbhv55]

M2, Skopar 35, HP5, Diafine:

That's nice, cjm.

I have the Skopar 35, and some HP5 - but sadly, there are no mountains like that, in our neck of the woods! 😀

 

[Erik van Straten]

Thank you Pan and tbhv55! This one is for the both of you:


Leica M5/Summilux 35mm/TMY400-2/AdoxMCC110

Erik.

 

[cjm]

That's nice, cjm.

I have the Skopar 35, and some HP5 - but sadly, there are no mountains like that, in our neck of the woods! 😀

Thank you! I had to drive 9+ hours to get there (Glacier Point) so not exactly close to me either. 😉

 

[tbhv55]

Thank you! I had to drive 9+ hours to get there (Glacier Point) so not exactly close to me either. 😉

Ah, I see... an incorrect presumption, on my part! 😱

The nearest mountains, for me, are about five hours drive, in a Northerly direction - and they're (technically, at least) in another country. A journey in any other direction is likely, sooner or later, to involve the use of a boat! 😀 (We operate on a somewhat smaller scale, here!)