jmilkins
Digited User
Hello everyone
I'd like some advice. In using film, I've generally been a transparency user because I've not spent much time in a traditional darkroom.
Many RF users seem to prefer monchrome film. There are some amazing monochrome images in RFF user gallleries with beautiful tones that are testament to this.
I don't yet have the scanning / photoshop skills to produce such images. I look at my gallery and I think "my monochromes are all over the place, and they just don't leap out and show the tonality that others achieve."
Perhaps this is because my "monochromes" are created from colour transparencies or c41 print film, and when I scan some of the HP5+ I've been shooting it will have more of a monochrome feel.
In the meantime, because I feel like I'm cheating trying to get monochrome out of colour originals, please let me know which of these you prefer.
They were taken with a Bessa L and CV Heliar 15/4.5 at around f8..
I'd like some advice. In using film, I've generally been a transparency user because I've not spent much time in a traditional darkroom.
Many RF users seem to prefer monchrome film. There are some amazing monochrome images in RFF user gallleries with beautiful tones that are testament to this.
I don't yet have the scanning / photoshop skills to produce such images. I look at my gallery and I think "my monochromes are all over the place, and they just don't leap out and show the tonality that others achieve."
Perhaps this is because my "monochromes" are created from colour transparencies or c41 print film, and when I scan some of the HP5+ I've been shooting it will have more of a monochrome feel.
In the meantime, because I feel like I'm cheating trying to get monochrome out of colour originals, please let me know which of these you prefer.
They were taken with a Bessa L and CV Heliar 15/4.5 at around f8..
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