wintoid
Back to film
I've been trying a few different developers recently and after a brief affair with Tanol seem to have settled on Prescysol EF with Neopan 400. I've been enjoying it so much that I just had to share. To define its looks I would have to say that it's extremely sharp, and my images look quite 3D, but grain seems low and I like the tonality. I'm not a qualified darkroom scientist, just an enthusiastic amateur, and I really like this stuff.
It has some Diafine-like properties in that you develop all films for the same time (10.5 minutes semi-stand development). You can literally throw your Delta 400 in with your Acros and get a good result. I've also messed up some exposures and the developer seems to have saved me (apparently the concentration determines the contrast far more than temp or time).
I bought mine from Peter Hogan in the UK ( http://www.monochromephotography.com/ ) and I believe it's available stateside too (is it Photographer Formulary or something ). I do wish they'd picked a catchier and easier-to-spell name than Prescysol.
3 proud-dad amateur-snapshooter photos attached, all with Neopan 400 in Prescysol EF, all with a Hexanon 28mm lens on an R2a. The snow shot was heavily underexposed (I tried to do +2 exposure comp, messed it up and did -2 exposure comp) but still came out well I thought.
It has some Diafine-like properties in that you develop all films for the same time (10.5 minutes semi-stand development). You can literally throw your Delta 400 in with your Acros and get a good result. I've also messed up some exposures and the developer seems to have saved me (apparently the concentration determines the contrast far more than temp or time).
I bought mine from Peter Hogan in the UK ( http://www.monochromephotography.com/ ) and I believe it's available stateside too (is it Photographer Formulary or something ). I do wish they'd picked a catchier and easier-to-spell name than Prescysol.
3 proud-dad amateur-snapshooter photos attached, all with Neopan 400 in Prescysol EF, all with a Hexanon 28mm lens on an R2a. The snow shot was heavily underexposed (I tried to do +2 exposure comp, messed it up and did -2 exposure comp) but still came out well I thought.