Pro says "I never heard of that before..."

lubitel said:
I had some people tell me that they have "one of those big old folding leica cameras" lying around somewhere.

hmm, I dont think leica made a folder.
o its medium format? hmm. no. Leica never had a medium format camera. 😀

Kodak Vollenda?

010568.jpg


source: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7618318882

R.J.
 
ghost said:
what's your point? nobody said they were connected. if anyone's being elitist, it's you. 🙄

what the hell are you talking about guy? I'm standing up for the photographers that are being labeled as an amature because they don't know anything about the status quo brands+models that are discussed in this forum on a daily basis. Please read all the replies before commenting.
 
ywenz said:
Again, no one here is really talking about anything that actually matters.

care to explain the rationale behind that statement?

maybe you should read the thread. nobody said they were bad photographers for being ignorant of esoteric cameras. are we to be condemned for spreading the word about them?
 
Kragmeister said:
This weekend I went to a rehearsal dinner and wedding. Saturday night was an outdoor luau dinner/party so I took a Kiev 4 and CZ Sonar 50 f1.5 to shoot available light B&W. Pro photographer kept looking at me and then finally asked what I was shooting. I gave the short answer on how Contaxes were made in Ukraine etc. and he said "Cool!".

Sunday I took my Fuji GS645 folder (to finish a roll of film) and a Rolleiflex 3.5 with a Metz shoe mount flash to the wedding.

I like the Rollei because I can hold it upside down high above my head and frame to get high level shots above crowds.

This time there was a 2nd photographer. Both were shooting newish Nikon DSLRs with Stroboframes (or whatever) and flashes. The partner looked at the Rollei on the table and asked what I was shooting and I told her a Rolleiflex. She says "Roll a flex, never heard of it." so I said, "You know, German professional medium format stuff". She asks if I shoot professionally and I told her that I shoot for my own mental health. She just kinda walked away, never said anything the rest of the night. Kids these days...

Later,
Greg

They didn't ask what ASA film you were using the night you shot without a flash??
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R.J.
 
Ywenz, for once I agree with you. But I also like the "horror" stories. 🙂

Last night I went to a photography workshop where a semi-pro lectured us. He was really good at teaching us, though hardly anyone got it.
Many didn't know squat about composition and were already amazed that you can put your subject off-centre.
Others were a bit disappointed that he didn't talk about apertures and such.
But his nuggets for us were how he connected with people, how he got a rapport with his subjects without entering in a "long-term relation", how to easily overcome your shyness, etc.
Then he kicked us out to do a short assignment in the building. Of course, I got asked by security why in all that is holy I was shooting photos. It was a cool experience for me. Normally I blow up. This time I was relaxed, built that rapport, stayed calm, and in the end walked away with at least a small victory. I was allowed to photograph but only the walls and the ceiling; no staff or personel, no security, no desks, no entrances, etc. We went outside right after that was settled. 😛

At that workshop, most had digital p&s cameras, some had big dSLRs, a few even had film SLRs. None knew squat about rangefinders, let alone a digital one, though one or two ventured the R-D1 looked old and perhaps like a Leica.

BTW, I saw a tourist yesterday walking around with a small, black Nikon SLR. I know nothing about Nikon's models but it looked nice.
 
Chaser said:
What is really tiresome is when I work with photographers from my generation (I'm 22) and they cannot tell me the name of one photographer that they admire...

True. Even if they don't "admire", they should know some.
In general, there are no well-known photographers as there are well-known painters, sculptors, not to speak about musicians. Does this make photography a less widely accepted art?
Most people do consider photography on a different level than painting, sculpting. Probably due to the facxt that everyone makes photographs once in a while, so it can't be that serious.

When I talked to people born and raised in Brasso about Brassai, they had no idea about him. But they can name seventy italian painters, six hundred american musicians, of course.

The only exception are the photographers who died recently or had some other reason to be mentioned on popular tv channels.
 
Well, keep in mind we have had thousands of years of painters and about 170 of photographers...not that it is an excuse...
 
StuartR said:
Well, keep in mind we have had thousands of years of painters and about 170 of photographers...not that it is an excuse...

We've only had rock music for 50 odd years. Still, most people can name the dinosaurs of rock in a flash. Rolling Stones, anyone? 🙂 And mobiles phones (I mean the pocketable type, not the ones where you needed a car to make it mobile) have been around for hardly more than a decade. Yet, every kid can tell you at leat 10 brands and inform you on the benfits of nearly every type of those brands. When I tell I still use my trusty 3310, they fall flat on their backs. A 3310 makes me adinosaur in their eyes. 😀
 
Pherdinand said:
heh, i have a Sony from the pre-Ericsson era. It has a monochrome display with green backlight 😀 and polyphonic ringtones, yay!

Polyphonic?! What new fangled thing is that? Is that what makes that noise nowadays, hearing a bl88dy radio station instead of a phone ringing?
 
Hey R.J.

They didn't ask what ASA film you were using the night you shot without a flash??

No, but at the rehearsal and the wedding dinner I had some conversation with a really nice older couple from Europe by way of central New Jersey. 🙂 The fellow commented about not having seen someone using a light meter in years. At the dinner we were comparing gear. He had used film cameras in the past but was using a Sony digicam. While I had made anti-digital statements (my wife was using her new Canon digital Rebel with zoom) I did compliment his choice in camera as it had an f2.8 Carl Zeiss (branded) lens. He pointed out that the lens was the reason he bought it, fast enough to get by without flash.

Last night, my digital wife 😉 was getting a lesson on film developing. I shot some HP5 that came out of the freezer and developed it in Rodinal. First time I developed film in over 10 years. Ahh....I love the smell of fixer in the evening....of course I couldn't persuade her to dab some behind her ears. 😉

Later,
Greg
 
Priorities!

Priorities!

StuartR said:
If someone gave me a porsche, I would sell it and keep my passat wagon...or maybe upgrade to a w8...

Are you kidding?

I'd sell the Porsche, take the proceeds, add some of my own cash and buy an M7 and a couple Leica lenses!

Where are your priorities, man? 😉

ScottGee1
 
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Kragmeister said:
Hey R.J.

They didn't ask what ASA film you were using the night you shot without a flash??

No, but at the rehearsal and the wedding dinner I had some conversation with a really nice older couple from Europe by way of central New Jersey. 🙂 The fellow commented about not having seen someone using a light meter in years. At the dinner we were comparing gear. He had used film cameras in the past but was using a Sony digicam. While I had made anti-digital statements (my wife was using her new Canon digital Rebel with zoom) I did compliment his choice in camera as it had an f2.8 Carl Zeiss (branded) lens. He pointed out that the lens was the reason he bought it, fast enough to get by without flash.

Last night, my digital wife 😉 was getting a lesson on film developing. I shot some HP5 that came out of the freezer and developed it in Rodinal. First time I developed film in over 10 years. Ahh....I love the smell of fixer in the evening....of course I couldn't persuade her to dab some behind her ears. 😉

Later,
Greg

ya, ya, i hear you. where are the pictures? or better, in comparison with your wife's digital snaps.

if you mean the images posted on your website...well, i don't think your rolleiflex made any difference at all.

maybe first you should give yourself a lesson before your wife, seriously.

but then again, i might be completely wrong.

ywenz - right on. for once.
 
Hey Ywenz,

ya, ya, i hear you. where are the pictures? or better, in comparison with your wife's digital snaps.

if you mean the images posted on your website...well, i don't think your rolleiflex made any difference at all.

maybe first you should give yourself a lesson before your wife, seriously.

but then again, i might be completely wrong.


OK, OK, I'm not a professional and don't make that claim. I have to develop the rest of the shots from the wedding and scan 'em.

Anyway, what is wrong with the photos on my site? Seriously, I would love some helpful criticism.

My stuff was better in years past, I think because I was "looser" and more creative. After I picked up a camera again in '03 I basically started documenting what I see.

Back "in the day" there was a pretty vibrant photo community in my area but folks have either died or otherwise moved on so there isn't even a local camera club. This is why I throw my stuff up on the web, hoping that someone will see the stuff and provide feedback.

Later,
Greg
 
Kragmeister said:
Anyway, what is wrong with the photos on my site? Seriously, I would love some helpful criticism.

Greg

Seriously?

Well, for a starter, your featured photo is flat with terrible light, unfocused subject, messy and uninteresting framing, lake of tonality in print/webposting...just to name a few. I am all ear to find out why you take the shot and what you tried to say to the viewer, if anything, through this photo?

No, this is not documentary. It is nothing but a snap of the existing objects in front of your lens.

I am no teacher so I don't know how to put words nicely and yet clearly. But I suggest you go to your library and check out some books to see what other masters do and how they do it in framing, print quality, use of light, etc., if you are serious about photography.

The most important thing has always been about learning to see. the equipment is and should really be on the bottom of the list (for shooters).

Kragmeister said:
My stuff was better in years past, I think because I was "looser" and more creative. After I picked up a camera again in '03 I basically started documenting what I see.

Back "in the day" there was a pretty vibrant photo community in my area but folks have either died or otherwise moved on so there isn't even a local camera club. This is why I throw my stuff up on the web, hoping that someone will see the stuff and provide feedback.

Later,
Greg

That's a terrible thing to happen. Maybe if you stop teaching your wife with what you know, you will have time to listen and learn with what you don't know.

But i am not saying anything new. Just simply answering your questions/request.
 
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