Projects or whatever catches your attention?

Projects or whatever catches your attention?


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OurManInTangier

An Undesirable
Local time
6:54 PM
Joined
Oct 31, 2006
Messages
2,053
Location
UK
  1. Projects
  2. No projects
  3. Both

I've found over the last couple of years that I need to put my personal photography into some kind of order and tend towards giving myself a project to complete. When I joined RFF I was happy to wander around photographing whatever drew my attention but I seem to find I'm photographing far less if I set out in that manner now.

It got me thinking how many other RFF'ers prefer this, prefer the freedom to photograph as they find or are happy and able to manage both?
 
Does Family count as a project for you Bill? There are plenty of amazing examples of projects around families, our own or even others.
 
When I find something I like, it becomes a project. I shoot the same thing or theme until I'm satisfied. The more ephemeral subjects limit the repetitive work, but I revisit most subjects and theme for years.
 
When I'm doing a particular subject, say covering an old town, I'll always see something unrelated to the shoot, and go ahead and capture the image. You never know when one will get back to that same place, or maybe it's just something that will not present itself again.

PF
 
I'm mainly an opportunistic photographer, happy to stumble upon interesting subjects. I go about my life with an eye open to interesting pictures.
 
Working for a projet is for sure giving me more satisfactions. It's what I voted.
It can be a medium long term project or a small term project, which I shoot to practice or to test an idea, or to keep creativity alive!
robert
PS: this is a small project or exercise I recently shoot here in my blog, just if you are curious 🙂
 
No projects, but subjects.

Family, local events and local places which are going to be destroyed due to overdeveloping, street photography and taking pictures of my gear for sale as nice as possible 🙂
 
I basically work exclusively on projects since my goal is to develop a body of work whose total is greater than the sum of its parts in order to tell a story or communicate information.

My projects are infrequently as short as six months but others have been ongoing for five to eight years. I currently am working on two projects, about five years into each. As both are geographically distant, I will sometimes go for a month without photographing much. But I do have another local project, about eight years ongoing now, that I will pursue when I find something that I think will fit.

I have had a large number of projects that got abandoned after six to twelve months when I deemed that they were not coming together into something meaningful.

Of course, I will not pass up the odd unrelated shot when I happen to come across one by chance. But I spend about 15 years wandering around directionless and simply looking for something interesting to photograph. I have very little to show for that time and effort.

A bonus of only working on projects is that it will eventually force you to be a critical editor and tolerant of time and effort spent with ultimately nothing to show for it. It is hard to force yourself to end up editing out 100% of what you spent a week shooting after driving for 12 hours to get there or an international plane flight, but it is necessary.
 
Yes, I consider photographing people a project. Many pieces to the puzzle. I enjoy the sessions with family but I treat it as a project as I want to make photographs everyone will treasure. It makes me happy when I see the photographs on display in many locations at their homes.
 
"When I joined RFF I was happy to wander around photographing whatever drew my attention but I seem to find I'm photographing far less if I set out in that manner now. "

I felt that too, I find with a project mind set that I delve into the subject, try to find its story, try to show it within a context. While alternatively, wandering taking pic's I tend to get more geometric/textural abstracts rather than a definitive subject, if that make sense.
 
I basically work exclusively on projects since my goal is to develop a body of work whose total is greater than the sum of its parts in order to tell a story or communicate information.

My projects are infrequently as short as six months but others have been ongoing for five to eight years. I currently am working on two projects, about five years into each. As both are geographically distant, I will sometimes go for a month without photographing much. But I do have another local project, about eight years ongoing now, that I will pursue when I find something that I think will fit.

I have had a large number of projects that got abandoned after six to twelve months when I deemed that they were not coming together into something meaningful.

Of course, I will not pass up the odd unrelated shot when I happen to come across one by chance. But I spend about 15 years wandering around directionless and simply looking for something interesting to photograph. I have very little to show for that time and effort.

A bonus of only working on projects is that it will eventually force you to be a critical editor and tolerant of time and effort spent with ultimately nothing to show for it. It is hard to force yourself to end up editing out 100% of what you spent a week shooting after driving for 12 hours to get there or an international plane flight, but it is necessary.

The greatest struggle I've found since starting to try to undertake a meaningful project is to keep a handle on any realistic scope. For instance, I've always had a huge love of the British coast ( a classic for Brit photographers I know) which is ingrained in me from my earliest years. As such I thought that would be a good place to start, something I'm passionate about, understand something of it but would love to unearth more. However it spiraled out of my control simply because I tried to include too much, certainly too much for me with no real experience. Covering areas such as heavy industry, small family businesses, leisure usage, environmental issues and so many more it seems absurd looking back. I've since split some of these areas into smaller projects in an attempt to keep some focus and this seems to work far better for me at this stage of my experience/learning curve.

I think my editing skills have improved (somewhat) as a result of undertaking projects, being able to leave out a visually impressive image that may be a personal favourite but lends little to nothing to the direction is a tough but valuable lesson in itself, having someone else to lend an experienced eye is an even better and even tougher lesson...something else I've discovered 🙂
 
I have not had time for personal projects. A few work ones recently covering events.
There is a new project this late winter through spring that will require a change back to DSLR (including video).
I may also add in Go-Pro for some long term time lapse and maybe even a RC copter for a few things. Never have used a drone before. It could be fun.
All to populate a new page for a website I work on.

Personal work is mostly just been spontaneous snaps.
Although I enjoy developing a project for personal growth it may be a while before I can really focus on any of the ideas I have bouncing around.
 
I always have a project I am working on. A project always bring up other projects as well. Sometimes taking me away from the original one, only to be continued at a later time. Some projects go on for years and are never finished.

Life is a project!
 
When I'm doing a particular subject, say covering an old town, I'll always see something unrelated to the shoot, and go ahead and capture the image. You never know when one will get back to that same place, or maybe it's just something that will not present itself again.

PF

This is similar to what I do. I create a project if there is an opportunity to shoot within a larger context, then takes photos not only as part of that project but as part of that larger context.

A simple example: My wife may want to have lunch and spend an afternoon in Chinatown, so I create a project: "An afternoon in Chinatown" but on our way to Chinatown, we may stop at LA's Garment district, where I may take a few shots that obviously have nothing to do with Chinatown.
 
I work on long term projects, but will never pass up a photo if it doesn't fit a project. You just never know when one image could turn into another project.

Basically, in the short term, my photography is presented as a jumbled mess via books that I make for editing purposes and to share with friends and family. However, behind the scenes, I am very disciplined with regard to keeping project folders up to date. They just won't be presented as such until they are ready. Some may never be ready. 🙂
 
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