Quitting Wall Street To Tell A Prostitute's Story

Thank you, Chris, for posting/explaining here. I deeply admire your project and dedication, and I just can't make sense of the criticism. It's clear from the images themselves that your subjects have your trust and that you're standing up for them, not putting them down.

How can we treasure Bruce Davidson's East 100th Street and Larry Clark's Tulsa as two of the classics of documentary photography, and not regard your work as an important contribution? The photography itself is first-rate. If it were to become a book, it would be edited down considerbly; but I think it deserves publication beyond the audience that sees it on the Internet.

Thx again,

Kirk
 
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