Richard G
Veteran
Good question. While colour printing films this weekend, I often regretted not having the same frame shot on digital as well. My colour film images often had very muted colours, whereas my digital files represented the brighter tones of some scenes much better. Nobody makes his own film and paper in the end, it's still the industry and its engineers that define the look.
If being 'faithful' would be the artistic criterion, I'd pick an M8 or M9 file over film any day, though you'll miss the smell of fixer then. Calling film photography 'more true' and whatever hilarious things I read in this thread is just sentimental drivel by silver halide peepers.
Very interesting. 'Faithful'. This is used in the sense of faithful to the limitations of a particular medium, but what about faithful to the artist's or indeed merely the observer's eye as you insightfully imply here. Two opposing examples of potential digital processing recently seen by me:
1. A comment in the Gallery on a gorgeous Rolleiflex colour photograph of a man's beautiful daughter. After several approving comments, one, probably the last, still, asked whether the photographer had considered opening her eyes up more in PS. Gasp. I suggest that would have been more than unfaithful.
2. An M9 shot, by one of our members but in flickr, an exquisite shaft of light in the midst of a heavy forest floor shade. He described a PS series of steps building up a number of layers to try to coax the single M9 file into a more faithful depiction of what he saw on that walk, as he so truthfully described it. Now that was a clever digital process which cannot be done in a dark room, but which is utterly faithful in its purpose and outcome.