Rui Morais de Sousa
Established
While I am a firm believer that no brand x or y can on it's own make a better photographer out of someone, I do believe on a certain camera-type produced style: large format, bird-photography, macro or microphotography are obvious examples. So, I will restrict this topic to what can be summarized as "action photography" - street, travel, portraiture, available-light, photojournalism... Having said that, I would be pleased to post my point of view:
If you analyse the type of work made by some photographers in the 50's, 60's or 70's, you would often clearly see (maybe more than see, you could sense), who was using a RF (Robert Frank), a SLR (Ernst Haas), or a TLR (Fritz Henle).
I dare to say, that it existed a "rangefinder language" (composition, rapport with subjects, etc.).
I would be pleased to know your opinion, and, if you agree with me, what defines it. Do you think that it still holds true today, or are we loosing our rangefinder vocabulary? Rui
If you analyse the type of work made by some photographers in the 50's, 60's or 70's, you would often clearly see (maybe more than see, you could sense), who was using a RF (Robert Frank), a SLR (Ernst Haas), or a TLR (Fritz Henle).
I dare to say, that it existed a "rangefinder language" (composition, rapport with subjects, etc.).
I would be pleased to know your opinion, and, if you agree with me, what defines it. Do you think that it still holds true today, or are we loosing our rangefinder vocabulary? Rui