rationale for street photography

FrankS

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I found this on the Shards of Photography site. It is a short note giving a rationalization for doing street photography. It may be useful simply for reading to yourself to put yourself in the proper frame of mind for doing street photography, or possibly to hand out to anyone objecting.

http://shardsofphotography.blogspot.com/2005/12/shy-shooter.html#note

The invitation is extended by the author for use. I reworded the note slightly.
 
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Good read. What we call street photograohy has, for me, sometimes become a way of capturing people in moments of weakness-usually a sneak shot. When I realised that, and tried to stop, my pictures became more satisfying to me.
 
FrankS,
Very interesting article. In fact, the entire site was interesting. I had never run across it before.
Thanks, Art
 
FrankS said:
Thanks Doug. I'll make that edit. 🙂
I hope my question didn't seem critical -- I was honestly trying to understand the intent. It made me think that I have a rationale when it comes to buying cameras (30+ years old and beautiful for starters) but I'd be lying if I said I was rational when it comes to buying cameras 😀.

Cheers,
 
rational for street photography
Yes, and coupled with a nice super sharp lens. The sharper the better and preferably a 105 or higher. 😎
 
Its a great idea; should make it easier for some of us shy/timid ones who would like something to pacify/reassure a subject on the street. Plan to edit it a bit for a quicker read maybe. Wonder what other street photographers do to be safe and yet get 'candid', unposed pictures ?
 
FrankS said:
I found this on the Shards of Photography site. It is a short note giving a rationalization for doing street photography. It may be useful simply for reading to yourself to put yourself in the proper frame of mind for doing street photography, or possibly to hand out to anyone objecting.

http://shardsofphotography.blogspot.com/2005/12/shy-shooter.html#note

The invitation is extended by the author for use. I reworded the note slightly.

Frank,

I've read it but I don't think this solves any problem tho.

Shyness as a personal character trait is not the only reason to feel inhibited about shooting strangers on the street.
There is still the question of personal dignity and the right of the human object to say "NO!".

So if you point with the camera on somebody in a way which makes him recognize he will not be simply an irrelevant detail of your "composition" but rather an important part of it he has the right to say no.

And if he is not interested in listening to my explanations or reading any "letter of intentions" I have to give him the film. And that's it.

Once I myself opened the back of another guy's camera. He wasn't tall enuff for the cheeky anwer he gave me when I asked him the WTF question.

bertram
 
With a 105 or better, preferably better, you can easily capture someone without him or her knowing; and if you get confronted, just say, "No, I was shooting the pole beside you. It has interesting properties." If that doesn't work, use your camera as a weapon. 😎
 
Bertram2 said:
I've read it but I don't think this solves any problem tho.

Betram, I think you misunderstood the intention of the note. It's not something that can solve any problems. What it can do, though, is a) give the photog a little backbone and b) can possibly defuse an otherwise ackward situation. If not, at least it gives you time to make like a banana and split. 🙂


Shyness as a personal character trait is not the only reason to feel inhibited about shooting strangers on the street.
There is still the question of personal dignity and the right of the human object to say "NO!".

I don't care whether people have the right to say NO or not. I have the right to take photos in public, and if I choose to use that right, and I'm not breaking any other laws, there's no need for people to go all furious and demand I delete the photo or hand over the roll (which they have no right to do in the first place). The note will explain them, in rather friendly terms, that there are more photos of them floating around than they care to know, and I don't see them make any huge fuss about that. I know it's easier to pick on the small guy but that doesn't mean I have to give in to that pressure.


So if you point with the camera on somebody in a way which makes him recognize he will not be simply an irrelevant detail of your "composition" but rather an important part of it he has the right to say no.

In the street he does not have the right to say NO, at least not where I live. And there's no way he can read any "intent" from my lifting the camera to my eye, as he can't read any "intent" from all those security cameras hanging everywhere. I used to be a security guard and I know those cameras can and are used for horny (or simply bored) security guards to peek into women's décolletées. Is that the "intent" of those cameras, or mine?


And if he is not interested in listening to my explanations or reading any "letter of intentions" I have to give him the film. And that's it.

No, that's not "it". People have to get off their arses and start to show some backbone, not just the photog but also the person who feels offended by my shooting. Our lives are recorded from moment of birth to the moment we die, and nearly every single event inbetween. If you feel so damn worried about what happens to your face on a photo I took then you should start to feel really damn worried about all that recording that is going on without your consent and knowledge and to which you can't do a bl**dy thing. Like I said, it's easy to pick on the small guy.


Once I myself opened the back of another guy's camera. He wasn't tall enuff for the cheeky anwer he gave me when I asked him the WTF question.

I'm not big but you wouldn not have gotten away with that with me, my friend. 🙂 I would have gotten the police involved and have you arrested for assault and destruction of private property. Let the criminal court sort you and your behaviour out. And the nice thing is, it won't even cost me a dime as it isn't a civil law suit.

I can image people don't want their picture taken but out in the street I simply don't give a hoot. If I were to consider everyone's feelings and try not to offend or upset anyone, I might just as well crawl into my grave and close the lid myself. I have no such plans, so I shoot to my heart's content. And if anyone has a problem with that, so be it. I'm not going to reason with them. If they are unwilling to let the matter go, they get the note. That's the end of the the story for me. If they want to continue it with aggression or violence (which with my photography has yet to happen, BTW) there's always the judicial system.
 
Bertram2 said:
So if you point with the camera on somebody in a way which makes him recognize he will not be simply an irrelevant detail of your "composition" but rather an important part of it he has the right to say no.

I can just imagine what Gary Wingorand (whom I recall you adore) could say on that.

He wasn't tall enuff for the cheeky anwer he gave me when I asked him the WTF question.
Physical assault is really really bad practice even if you feel offended. I'm not too tall either, but my camera is heavy and I can always reach for the balls.
 
That's good advice. Someone with a camera can never be invisible. But that can't stop you from acting invisible. I've found its useful to interact with people, even if you can't speak their language. The trick is to have good enough timing to get the shot first, then do the interacting afterward. I've also done a fair amount of photography in Muslim countries, where some people have a genuine concern about being photographed. I always respect their wishes not to use the photograph. But I've usually already taken it. If they tell me not to take or use their photo, I respond respectfully and graceously, usually nodding my head while dropping the camera to my side. That always has seemed to suffice.

In 25-odd years of photojournalism, the only time I was every really accosted for street-type photography was when I took a photo with a 105mm lens of a young woman walking through a crowd. She was a "living statue" performance artist and so was painted to look like a white marble statue. But she had just finished work for the day and was walking home in gorgeous evening sunlight. After I'd taken the photos, she realized what had happened and she just lit into me about how disrespectful it was to take a picture of her when she wasn't actually performing. I was so astounded by this reaction from a street peformer that I was overwhelmed by the utter ridiculousness of the situation and said nothing, in part for fear of laughing. The marble-statue lady vented for about a minute, and then we parted ways. It wasn't even a very good picture. The 105 was too tight for the scene.
 
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