thelovecollect
Established
i'm taking a color darkroom class for the first time this semester and i have no clue which paper to get?
kodak's site for endura papers seem pretty straight forward..
i guess i could start with supra..
but what about fuji papers? Fujicolor Crystal Archive Pro Type PIII, Fujicolor Crystal Archive Pro Super Type PD, Fujicolor Crystal Archive Pro Super Type C?
and one other thing, how long does my color paper last in room temperature?
thanks in advance!
kodak's site for endura papers seem pretty straight forward..
i guess i could start with supra..
but what about fuji papers? Fujicolor Crystal Archive Pro Type PIII, Fujicolor Crystal Archive Pro Super Type PD, Fujicolor Crystal Archive Pro Super Type C?
and one other thing, how long does my color paper last in room temperature?
thanks in advance!
Last edited:
Stephanie Brim
Mental Experimental.
You may want to take this question to APUG because there are quite a few serious color printers there. I wouldn't know because I have no desire, at least at this time, to shoot color, let alone print it. 
thelovecollect
Established
thanks, i just signed up...
lurking as i type..
lurking as i type..
Finder
Veteran
I use and like Kodak Eudura Supra III. It lasts a long time at room temperature. Never had a problem having an opened box in my darkroom for a few months. I keep my stock in a small fridge.
Since you have no experience printing color, I would not worry about the selection of papers - the look of a color print has more to do with the printer than the paper stock. I would get a paper that is available. Sticking to one type of paper will help your printing by not needing to keep calibrating your enlarger to different paper types.
Naturally, I take exception to Stephinie's comment that their are no serious color printers at RFF.
I have been running my own color darkroom for over five years and have been working with color material since 1985.
Since you have no experience printing color, I would not worry about the selection of papers - the look of a color print has more to do with the printer than the paper stock. I would get a paper that is available. Sticking to one type of paper will help your printing by not needing to keep calibrating your enlarger to different paper types.
Naturally, I take exception to Stephinie's comment that their are no serious color printers at RFF.
Stephanie Brim
Mental Experimental.
Finder said:I use and like Kodak Eudura Supra III. It lasts a long time at room temperature. Never had a problem having an opened box in my darkroom for a few months. I keep my stock in a small fridge.
Since you have no experience printing color, I would not worry about the selection of papers - the look of a color print has more to do with the printer than the paper stock. I would get a paper that is available. Sticking to one type of paper will help your printing by not needing to keep calibrating your enlarger to different paper types.
Naturally, I take exception to Stephinie's comment that their are no serious color printers at RFF.I have been running my own color darkroom for over five years and have been working with color material since 1985.
Hey now, I didn't say there WEREN'T any, I just said that there are more at APUG. I knew there were a few.
tetrisattack
Maximum Creativity!
I've been so pleased with fujicolor crystal archive "c" semi-matte that I've never wanted to switch. The only thing I dislike about it is that, compared to good b&w paper, the surface isn't as bright. But the gamut of the paper is wonderful, and you would be perfectly reasonable to go ahead and buy some boxes of it now. (BTW - this might sound sort of silly, but fuji's boxes for color paper are amazing, you could build a house out of them. Excellent for storing your prints)
I've seen others' work on the P surface, and it's quite nice for portraits, but the difference in contrast is like ... the equivalent of half a grade.
If you want to print bigger than 20x24 you might note that Kodak only has one surface availble (semi-matte), while fuji has several.
I've seen others' work on the P surface, and it's quite nice for portraits, but the difference in contrast is like ... the equivalent of half a grade.
If you want to print bigger than 20x24 you might note that Kodak only has one surface availble (semi-matte), while fuji has several.
Finder
Veteran
Stephanie Brim said:You may want to take this question to APUG because there are quite a few serious color printers there. I wouldn't know because I have no desire, at least at this time, to shoot color, let alone print it.![]()
I don't see the word "more"?
Just teasing.
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