Screwy
All the gear no idea
After getting a Rondinax 35U and being quite impressed with its ease of use (Though motorised would be nice
) and with the imminent arrival of my Moskva 4 , Unless the Moskva 2 lands first
I've just snagged a Rondinax 60 of Eb*y . Anyone have any experience with one of these ? as it looks to be a tad more involved when it comes to loading the film on to the spiral .
Paul
Paul
kaiyen
local man of mystery
(first - more power to you, seriously)
What is the deal with the Rodinaux tanks? I just don't see their appeal - I've never had problem with the right technique, with the right equipment, loading film onto reels in paterson-style tanks.
good luck on finding info,
allan
What is the deal with the Rodinaux tanks? I just don't see their appeal - I've never had problem with the right technique, with the right equipment, loading film onto reels in paterson-style tanks.
good luck on finding info,
allan
Xmas
Veteran
Paul
Always wanted one, never heard any bad words about one. I dont think there is any risk of a clinch mark.
Alas I got a resonable darkroom and it changes life...
noel
Always wanted one, never heard any bad words about one. I dont think there is any risk of a clinch mark.
Alas I got a resonable darkroom and it changes life...
noel
Screwy
All the gear no idea
Thanks guys
I have no problem loading standard reels , just a temporary darkroom thats a pain in behind to get set up
I bought the 35U on a whim as it was cheap but find I quite enjoy just popping the cassette into the tank , hooking up the film and then loading and developing it , all done on the kitchen drainer in broad daylight , No blacking out the utility room . One day I will have a permanent darkroom but its not possible atm.
Paul
What is the deal with the Rodinaux tanks? I just don't see their appeal - I've never had problem with the right technique, with the right equipment, loading film onto reels in paterson-style tanks.
good luck on finding info,
allan
I have no problem loading standard reels , just a temporary darkroom thats a pain in behind to get set up
Paul
kaiyen
local man of mystery
well, a changing bag handles the light-tight part. then I do the rest in the daylight, of course. there is no need for a permanent darkroom for film processing. but a chacun son chose...
allan
allan
Share: