Highway 61
Revisited
Before I tried out the OP's trick of putting a blue filter over the main finder front window, I had candidly tried to install a strong yellow filter over the rangefinder patch window : it didn't work out, the moving part of the rangefinder patch became yellow in the viewfinder of course but the whole rangefinder patch had even less contrast than before, because the yellow filter cuts the light amount off and annihilates the contrast between the two optical paths within the viewfinder unit.I’m wondering why the decision was made to put a blue filter over the main finder instead of a stronger yellow over the rangefinder patch window?
Anyone know? Is it worth a try?
Reed
The yellow or orange filter over the rangefinder window kind of works with a screwmount Leica because the rangefinder optical path and the viewfinder optical path are separated.
On the Nikon S3 the blue filter over the main window allows to enhance the contrast between the two optical paths, by making the viewfinder optical path weaker (and the rangefinder optical path, by comparison, stronger), which is the goal. It more or less produces the same result (without totally "extinguishing" the fixed part of the rangefinder patch, of course) as what is described here :
http://rick_oleson.tripod.com/index-165.html
The blue filter also makes the etched composing frames a bit easier to see in contrejour situations.
You have to get used to that pale blue tint of the viewfinder, though. Sometimes it makes things seen through the viewfinder look a bit sad, as if you were always trapped behind your office windows to look around...
Actually, a small rectangle the size of the projected rangefinder patch, cut from a blue filter, and pasted with removable transparent glue at the center of the front viewfinder window, should provide the same positive results re. the rangefinder patch contrast, without having the whole viewfinder become pale blue when you look through it. 😉