whited3
Well-known
...and find it fantastically awesome?
Before I got the A7, I never used the bellows chassis because my dslr didn't clear the bottom rail. I just hand held the appropriate pieces and used some extension tubes.
But man is it nice to have the whole rig working with the A7. Now I can shoot hand held at low shutter speeds which means I can snap through a roll of film in crap lighting.
Here's RVP100 (on a too-contrasty day) converted to b&w. The velvia slide was made with a DR chron @ probably f8 on am M3. The "scan" was made with an FD 50/3.2 macro @ f8 on the FL Bellows & A7.
I kinda hurried through this, but I don't think I could have coaxed too much more info off the slide. Actually, I'm not even sure if this slide is worth viewing @ 100% to begin with. Regardless, here's my datapoint:
100% from the A7. No sharpening
100% from the A7. Probably too much sharpening
Before I got the A7, I never used the bellows chassis because my dslr didn't clear the bottom rail. I just hand held the appropriate pieces and used some extension tubes.
But man is it nice to have the whole rig working with the A7. Now I can shoot hand held at low shutter speeds which means I can snap through a roll of film in crap lighting.
Here's RVP100 (on a too-contrasty day) converted to b&w. The velvia slide was made with a DR chron @ probably f8 on am M3. The "scan" was made with an FD 50/3.2 macro @ f8 on the FL Bellows & A7.
I kinda hurried through this, but I don't think I could have coaxed too much more info off the slide. Actually, I'm not even sure if this slide is worth viewing @ 100% to begin with. Regardless, here's my datapoint:
100% from the A7. No sharpening
100% from the A7. Probably too much sharpening