Seeing in Black and White

varjag said:
Squinting your eyes helps a lot to ignore color (and clutter). I found this trick second best compositional aid after camera viewfinder.
This trick actually seems to work. A friend of mine suggested it once; I tried it and haven't stopped using the technique. His techniue involves pulling the outer corner of the eyes toward the adjacent ear to mechanically invoke a squint. He had a name for the technique but it might be construed as being ethnically insensitive so I won't repeat it here.
 
The classic artist method is to part close your eyes to reduce the amount of light entering them; the cells that sense colour don’t work so well in low light so you get a monotone view, not easy to do and you feel stupid if anyone sees you. However outside the studio you get no control so I just point the lens at interesting stuff and hope for the best, no point seeing it if you cant change anything.
 
Strangely enough, it was infrared black and white photography that helped me visualize black and white better. I can still visualize infrared b&w fairly easily, but regular b&w has gotten easier, as it is just tones as people have said.

Drew
 
BrianShaw said:
This trick actually seems to work. A friend of mine suggested it once; I tried it and haven't stopped using the technique. His techniue involves pulling the outer corner of the eyes toward the adjacent ear to mechanically invoke a squint. He had a name for the technique but it might be construed as being ethnically insensitive so I won't repeat it here.


Googling...? 😱
 
In fact I can't shoot both at the same time. Anyone else share this feeling?
__________________
www.patrickrobertjames.com

Hi, Mike here, quoting Patrick above.

Having shot Pro for the Jerusalem Post & other publications in the 1970's & 80's, I'm with Patrick; I don't shoot well, if it's both B & W and color at the same time. Oh, yes... I can carry a Leica or Olympus with HP 5 in it, and bang of a few shots with a digicam; and, something is lacking or getting criss-crossed in my brain.

I remember the conept of PRE-VISUALIZATION in Fred Picker's writings and in Ansel Adams type books. It is a matter of training the brain or mind.

Whether your aids are filters, framing devices or TV... matters not. Use what works. Remember that good B & W photography involves Tonal Range, Highlights & Shadows...
along with proper exposure and film development. "Expose for the shadows; develop for the highlights." As a working Pro, I tried hard to consistently make the best archival negatives that I could.

Here's an anecdote: Around 10 years ago, a supplier to the Mass. State Prison system told me, the prisoners could have TV's, but only [then] B & W. They found that color excited the men.

Personally, from time to time, I find B & W TV much more restful to the eyes.
Cheers & happy shooting,
Mike
 
Mike Goldberg said:
[They found that color excited the men.

I have no doubt that someone once told you that, but it simply isn't true. Think about it... you're a man... what excites you? Is it the color 'blue'... no; is it the color 'yellow'... no; is it the color 'red'... no. Put any one of those colors on a pair of sexy underwear being worn by a woman... now are you excited? 😱
 
BrianShaw said:
I have no doubt that someone once told you that, but it simply isn't true. Think about it... you're a man... what excites you? Is it the color 'blue'... no; is it the color 'yellow'... no; is it the color 'red'... no. Put any one of those colors on a pair of sexy underwear being worn by a woman... now are you excited? 😱

Sexy underwear ?

Red = YES! 😉

Blue = Hmmm! 🙂

Yellow = nasty! 😱

But...

Black = Yadayadayada 😀 😀
 
BrianShaw said:
Is black a color in both additive and subtractive color theories? 😕
In pigments, black is a color. In light, black is the abscence of color. I think that is what you want...

Drew

Edit: I meant to say, in pigments, black is all colors combined.
 
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